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Particulate Matter
In concise and distilled prose, Lemus presents a collection of still lifes, landscapes, and portraits of a challenging year that threatened all she loved most. “A love story that’s profoundly rooted in the emotional, geographical, and sociopolitical terrain of today . . . Like song lyrics or snapshots, her wisps and fragments of language take on a coded and otherworldly atmosphere, one that conveys wonder and dread almost subliminally . . . Particulate Matter is a moving example of how to write about climate change, not didactically, but with the deep impact of both personal loss and literary elegance.” —NPR Books “A tiny, powerful flame of a book. Lemus’ writing lands like spark...
Like Son
An “exuberant [and] smart” novel of love, family, the fluidity of identity, and the mysteries of the past (Publishers Weekly). Set amid the outsider worlds of twenty-first century downtown New York, 1990s Los Angeles, and 1940s Mexico City, Like Son is the not-so-simple story of a love-blindness shared between a father and a son. Born a bouncing baby girl named Francisca Cruz, Frank Cruz is now a post-punk thirty-year-old who has inherited his dead father’s wanderlust, unrequited love, and hyperbolic tendencies. From the author ofTrace Elements of Random Tea Parties, this is a “powerfully written chronicle of love, in which gender is irrelevant, and the siren call of the past threate...
Trace Elements of Random Tea Parties
Leticia Marisol Estrella Torez, a young Latina, heads north to escape her past and change her fortunes but nevertheless returns to the powerful pull of la familia. Reprint.
A Handful of Earth, a Handful of Sky
Part biography, part tribute, offers a blueprint for a creative life from the perspective of award-winning science-fiction writer and "MacArthur Genius" Octavia E. Butler. It is a collection of ideas about how to look, listen, breathe--how to be in the world. George not only engages the world that shaped Octavia E. Butler, she also explores the very specific processes through which Butler shaped herself--her unique process of self-making. It's about creating a life with what little you have--hand-me-down books, repurposed diaries, journals, stealing time to write in the middle of the night, making a small check stretch--bit by bit by bit. Includes photographs of Butler's ephemera (personal notes, library call slips, etc.) taken by George from hundreds of boxes of Butler's personal items.
A Fictional History of the United States (with Huge Chunks Missing)
Cooper & Mansbach team with some of today’s most talented writers to vitalize American history. “This is a ‘people’s history’ with tongue in cheek: delightfully funny, imaginative, but with a subtle undertone of seriousness. I enjoyed it immensely.” —Howard Zinn, author of A People’s History of the United States History is distorted the moment it’s recorded—and in these politically dishonest times, challenging the stories we’re told is more important than ever. In this groundbreaking anthology of original fiction, a diverse group of America’s best writers takes on the task of creating counter-narratives to mainstream American history. Here are some of the moments and ...
Post-Borderlandia
Bringing Chicana/o studies into conversation with queer theory and transgender studies, Post-Borderlandia examines why gender variance is such a core theme in contemporary Chicana and Chicanx narratives. It considers how Chicana butch lesbians and Chicanx trans people are not only challenging heteropatriarchal norms, but also departing from mainstream conceptions of queerness and gender identification. Expanding on Gloria Anzaldúa’s classic formulation of the Chicana as transformer of the “borderlands,” Jackie Cuevas explores how a new generation of Chicanx writers, performers, and filmmakers are imagining a “post-borderlands” subjectivity, where shifting national, racial, class, sexual, and gender identifications produce complex power dynamics. In addition, Cuevas offers fresh archival analysis of the Chicana feminist canon to reveal how queer gender variance has always been crucial to this literary tradition.
Manstealing for Fat Girls
This off-kilter novel centers on three girls who are definitely not part of the in crowd: one’s fat, one’s a dyke, and one is missing a breast. Nicknamed “Lezzylard” by her classmates, Angie is seduced by the prettiest girl in school, an anorexic who just wants to make imaginary grocery lists. Inez, the school’s pot dealer, can’t shoplift because security guards are mesmerized by her single enormous breast. Shelby and Angie can’t be together, because then everyone will think Angie’s only a dyke because she’s too fat to get a guy. Manstealing for Fat Girls explodes the locus where patriarchal and class violence intersect, while embracing all that is magical — and dangerous — about adolescence. Set in a working class suburb of St. Louis in the 1980s, the book is replete with music and pop culture references of the era, but the bullying, lunch table treachery, and desperate desire to fit in ring true for every generation.
Dahlia Season
Chicana. Goth. Dykling. Desiree Garcia knows she’s weird and a weirdo magnet. To extinguish her strangeness, her parents ship her to Saint Michael’s Catholic High School, then to Mexico, but neurology can’t be snuffed out so easily: Screwy brain chemistry holds the key to Desiree’s madness. As fellow crazies sense a kinship with her, Desiree attracts a coterie of both wanted and unwanted admirers, including a pair of racist deathrock sisters, a pretty Hispanic girl who did time in California’s most infamous mental asylum, and a transnational stalker with a pronounced limp. As high school graduation nears, Desiree’s weirdness turns from charming to alarming. Plagued by increasingl...
Tentacle
An electric tale of apocalypse, sex and time travel from one of the Caribbean's most extraordinary cultural figures.
Fictions of Western American Domesticity
This work provides a compelling explanation of something that has bedeviled a number of feminist scholars: Why did popular authors like Edna Ferber continue to write conventional fiction while living lives that were far from conventional? Amanda J. Zink argues that white writers like Ferber and Willa Cather avoided the subject of their own domestic labor by writing about the performance of domestic labor by “others,” showing that American print culture, both in novels and through advertisements, moved away from portraying women as angels in the house and instead sought to persuade other women to be angels in their houses. Zink further explores lesser-known works such as Mexican American cookbooks and essays in Indian boarding school magazines to show how women writers “dialoging domesticity” exemplify the cross-cultural encounters between “colonial domesticity” and “sovereign domesticity.” By situating these interpretations of literature within their historical contexts, Zink shows how these writers championed and challenged the ideology of domesticity.
