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Poetry. Drama. Translated from the Spanish by Emily Toder. This three-act play in verse by Spanish poet, novelist, and dramaturge Felipe Benítez Reyes, tracks the nonsensical, disorienting, and rather tragicomic journey of three monarchs lost in a boundless desert, on a long, dark, and endless night, in which the notions of power, place, and purpose are all tipped on their heads and crushed. In a paradoxically classic fusion of the chivalrous and postmodern traditions, THE ERRANT ASTROLOGERS is like waiting for Godot with Sancho Panza, all on the set of Ishtar, and told in the haunting, rich verse of Reyes's own.
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The writing of Felipe Benítez Reyes, a significant contributor to the Spanish Postmodern esthetic, speaks to issues of voice, persona, and the possibilities of fiction. Probable Lives won the 1996 National Book Award in Spain, the 1996 National Critics' Award in Spain, and the City of Melilla International Prize. A book of heteronyms, the character-poets in Probable Lives read as forgotten or unknown twentieth-century authors, all "rediscovered" and compiled by an anthologist who is also the creation of Reyes. Probable Lives tweaks the notion of identity in ways that are both engaging and downright funny.
Twilight of the Avant-Garde addresses the central problem of contemporary Spanish poetry: the attempt to preserve the scope and ambition of modernist poetry at the end of the twentieth century. Offering a critical analysis of Luis Garcìa Montero’s “poetry of experience,” and the work of José Angel Valente and Antonio Gamoneda, among others, Mayhew challenges received notions about the value of poetic language in relation to the society and culture at large. Ultimately championing the survival of more challenging and ambitious modes of poetic writing in the postmodern age, this volume argues that the cultural ambition of modernist poetics remains alive and well in our age of cynicism.
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"Twentieth-century poetry engages in a highly self-conscious meditation on the nature of poetic language. Spanish poetry, however, has sometimes been considered an exception to this tendency. This book, with its focus on linguistic self-reflexivity, refutes the notion that major Spanish poets such as Jorge Guillen and Vicente Aleixandre are theoretically naive creators. In a series of nuanced readings, Jonathan Mayhew demonstrates the extent to which modern Spanish poets are conscious of their linguistic medium." "Previous books on Spanish poetry published in English have been more limited in scope, usually including poets of a single "generation." The Poetics of Self-Consciousness is the fi...
"These poems do much more than blur the line between illusion and reality: they evoke that vibrant contradiction of dreaming in which the real and unreal exist in perfect simultaneity."—The Georgia Review Theatre A man performs whole days from his life as a drama, each day at home in his apartment. He goes to great lengths to be as realistic as possible, walking around the apartment and tending to day-to-day business. Only at night, when he sits by himself in the kitchen, does he peek now and then at the window to glimpse his audience. He won't completely abandon the notion that someone is out there. It's like when you stand on the landing, in front of a closed door, and you can't help thi...
In this first US publication of celebrated Italian poet Bianca Tarozzi, narrative poems (presented bilingually in both English and the original Italian) carry us through the poet's childhood memories of World War II under Mussolini, harsh post-war conditions, and mid-century changes that transformed Italian life, specifically for women. A unique figure in contemporary Italian poetry, Tarozzi draws significant influence from acclaimed American poets—Robert Lowell, Elizabeth Bishop, and James Merrill—interweaving powerful subjects with humor and heart. After: you have packed the suitcase, shut off the gas, turned all the lights out, locked the window and the big outside door, when you lean...
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