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"In celebration of its 15th anniversary, Artpace presented a year-long, statewide exhibition featuring the work of one of its most renowned alums, Félix González-Torres (International Artist-in-Residence Spring 1995). Artpace sited billboards in Dallas, El Paso, Houston, and San Antonio for the first-ever comprehensive survey of González-Torres's Billboards in the United States, organized by past Executive Director Matthew Drutt. Thirteen images created by González-Torres between 1989 and 1995 were drawn from poetic moments in the artist's life, and rotated throughout the year on six billboards in each city." (Artpace).
Felix Gonzalez-Torres (1957-1996) is one of the most influential artists of his generation. This catalogue includes both rarely seen and more known paintings, sculptures, photographic works, and public projects, reflecting the full scope of the artist's short yet prolific career.Specific Objects Without Specific Form offered several exhibition versions (and none the authoritative one), all the better to present the oeuvre of an artist who put fragility, the passage of time, and the questioning of authority at the centre of his artwork.At each venue in which the show was hosted, the exhibition was co-curated with, and re-installed/re-imagined by a different invited artist whose practice has b...
Published to accompany exhibition held at the Serpentine Gallery, 1 June - 16 July 2000.
A comprehensive overview of important artist Felix Gonzalez-Torres. In the spirit of Gonzalez-Torres' method, Ault rethinks the very idea of what a monograph should be. The book contains texts by Robert Storr and Miwon Kwon, among other notables, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence and writings that influenced the artist's work.
Felix Gonzalez-Torres (1957-96) is one of the most significant artists to have emerged in the 1980s. An artist whose beautiful, restrained and often mutable works are abundant in compelling contradictions, Gonzalez-Torres was committed to a democratic form of art informed as much by the aesthetic and conceptual as by politics. His work challenges authority and our obeisance to it, dissolves the delineations between public and private, and creates a rich, open field into which the viewer is invited to complete works with her own inferences, imagination, and actions.00The photostats are a series of fixed works with white text on black fields framed behind glass to create a reflective surface b...
Transcripts of interviews by Hans Ulrich Obrist with architects, artists, curators, film-makers, musicians, philosophers, social theorists and urbanists.