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Dr Fiona Foley is an Aboriginal artist, Badtjala woman, and provocateur, part of a highly influential generation of urban Indigenous artists. Over a career now spanning thirty years she has consistently asked questions about the frontier wars waged against Aboriginal peoples and brought the "hidden histories" of the massacres and dispossession into galleries, public spaces, and a broader, society-wide debate. In recent years, her exposure of the familial threads that join her Aboriginal heritage to the family of white missionaries who came to K'gari/Fraser Island in 1897 emerges as a tour de force. Missionary Ernest Gribble was the brother of Fiona Foley's great great grandmother, Ethel Grib...
The power of history written down can be both lethal and deceptive, and that has long-lasting effects, both for those writing and those being written about. In this groundbreaking work of Indigenous scholarship, nationally renowned visual artist Fiona Foley addresses the inherent silences, errors and injustices from the perspective of her people, the Badtjala of K'gari (Fraser Island). She shines a critical light on the little-known colonial-era practice of paying Indigenous workers in opium and the 'solution' of then displacing them to K'gari. Biting the Clouds - a euphemism for being stoned on opium - combines historical, personal and cultural imagery to reclaim the Badtjala story from the colonisation narrative. Full-colour images of Foley's artwork add further impact to this important examination of Australian history.
Catalogue published to accompany the exhibition, Dr. Fiona Foley: Who are these strangers and where are they going? Curated by Ballarat International Foto Biennale 24 August - 20 October Copyright: Ballarat International Foto Biennale
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Anthology of Indigenous authored fiction (poetry, short story, short film script and a tweetyarn) by emerging and established writers from around Australia.
In a groundbreaking exhibition, located in the University of Queensland's Great Court from September 5-28 2014, curator and UQ Adjunct Professor, Fiona Foley, brings together works by Ryan Presley, Archie Moore, Rea Natalie Harkin, Karla Dickens, Christian Thompson, Megan Cope and Michael Cook.
One of the most famous shipwreck sagas of the 19th century took place on the tropical coast of north-east Australia. In 1836 the Stirling Castle was wrecked off the Queensland coast and many of the crew, together with the captain's wife, Eliza Fraser, were marooned on Fraser Island. Early sensationalized accounts represent Mrs Fraser as an innocent white victim of colonialism and her Aboriginal captors as barbarous savages. These "first contact" narratives of the white woman and her Aboriginal "captors" impacted significantly on England and the politics of Empire at an early stage in Australia's colonial history. The text critically examines the Eliza Fraser episode by bringing together an i...
In October 2018 Brazilians elected Jair Bolsonaro as their new president. A former army officer who served under the military dictatorship, Bolsonaro has spent his political career campaigning against democracy and human rights. His notoriety comes from his repeated racist, sexist and homophobic statements and his defense of torture, extra-judicial executions and impunity for Brazil´s security forces. Bolsonaro is sometimes described as a “Tropical Trump.” But this wording greatly underestimates the threat that he poses to Brazil´s still young and fragile democratic institutions. In Spite of You brings together voices of the new Brazilian resistance. It includes chapters by Dilma Rouss...
Thirteen previously published essays, notes, and interviews, by Olu Oguibe, with revisions, with an additional list of where the contributions were originally published and a cumulative index for this anthology as a whole.
A Victorian era murder. A modern-day family researcher. Can she solve the century old puzzle of a racehorse trainer's death and his wife's disappearance? A dual timeline historical mystery with long-buried secrets.