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The Fusslin Thrang gathers together Alexander Hutchison’s poems in Scots written between 1973 and 2015, with the majority being previously uncollected or unpublished. Included are a wide range of translations, featuring poets such as Catullus, Pierre de Ronsard, Pier Paolo Pasolini, Ernesto Cardenal, and Mikhail Lermontov. Of particular note is Hutchison’s Scots version of ‘Medea’, based on the extract in English by Robinson Jeffers, and published here for the first time. Every poem includes a glossary and contextual notes. ‘Hutchison has the ferocity, indignation and bite of the old flytings, even the mad word-hoard of the Admirable Urquhart of Cromarty; a Scots Martial, but with ...
How does a city and a nation deal with a legacy of perpetrating atrocity? How are contemporary identities negotiated and shaped in the face of concrete reminders of a past that most wish they did not have? Difficult Heritage focuses on the case of Nuremberg – a city whose name is indelibly linked with Nazism – to explore these questions and their implications. Using an original in-depth research, using archival, interview and ethnographic sources, it provides not only fascinating new material and perspectives, but also more general original theorizing of the relationship between heritage, identity and material culture. The book looks at how Nuremberg has dealt with its Nazi past post-194...
Bertolt Brecht, one of the most influential European playwrights of the twentieth century, was also a poet of distinction. This volume is the first comprehensive study devoted to his most important collection of political poetry, the Svendborg Poems. The contributors analyse Brecht's work critically and historically, discussing it in relation to questions of poetics, political commitment, exile, propaganda, rhetoric, and the scope and limitations of political poetry. Links are also drawn with the work of German, Soviet and English poets of the period, and with later Germany poets.
This is the first book to describe German literary history up to the unification of Germany in 1990. It takes a fresh look at the main authors and movements, and also asks what Germans in a given period were actually reading and writing, what they would have seen at the local theatre or found in the local lending library; it includes, for example, discussions of literature in Latin as well as in German, eighteenth-century letters and popular novels, Nazi literature and radio plays, and modern Swiss and Austrian literature. A new prominence is given to writing by women. Contributors, all leading scholars in their field, have re-examined standard judgements in writing a history for our own times. The book is designed for the general reader as well as the advanced student: titles and quotations are translated, and there is a comprehensive bibliography.
Since Aristotle critics have struggled to distinguish between laughter in comedy and laughter in everyday life. In the theatre, distance breaks the aggressive spell of laughter, the audience laughs without hurting anyone, and laughter becomes an aesthetic experience. But comedy, more than tragedy, seems bound to the customs and social mores of the time that it satirizes: what is humorous to an audience in one society is no laughing matter in another.
Lucius Licinius, genannt Lucullus oder Lukullus, geboren um 117 v. Chr., gestorben um 57 v. Chr., war ein römischer Politiker und Feldherr, der nach einer Meuterei des Heeres 68 v. Chr. abberufen wurde. Seine luxuriöse Lebensführung wurde sprichwörtlich; sie steht für üppige und erlesene Speisen. Er soll, so Plutarch, den Kirschbaum aus Asien nach Europa gebracht haben. Bertolt Brecht schrieb 1939 das Stück 'Das Verhör des Lukullus', in dem 'die Kleinen die Großen' anklagen, die Soldaten, die Mutter, die Braut treten auf. Lediglich einmal tat der Feldherr Gutes, als er die Kirsche nach Europa brachte. Auch die Franken profitieren mit ihren üppigen Kirschgärten davon und destillier...