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In the Arms of the Father
Flavia Cosma is a Romanian born poet, living in Canada and published widely in numerous countries and languages. In the Arms of the Father is a recipient of the John Dryden Prize for poetry in translation - edition 2007
Global Poetic Ethos
The term Global Poetry has gained wide spread popularity as recent literary trends in the field of Contemporary Literary and Cultural study just after the revolution of digital technology. This is one of the most recent literary trends coinciding literary and cultural fraternity in one thread pertaining to the ideals of multiculturalism and hybridity of language building a bridge of the recent trends of Contemporary World English Poetry and its cultural and political ends. It is this new literary trend that has gone beyond the borders and bridged different parts of the world framing a common platform for universal cultural brotherhood. When the whole world is in global crisis due to animosit...
Leaves of a Diary
Poet Flavia Cosma travels to Rhodes in March of 2005 only to discover the unique charm of the old, lovingly restored villa built as an observatory post in 1894 by the Governor Smith on the mountain that bears his name. As she sits facing the Aegean Sea, and begins to weave into words her love of the constant changing colour, the spectacular sunsets and most of all the warmth and friendliness of the locals. These poems paint the beauty and wonder of Paradise on earth, touched by the hand of God.
Blood Soaked Dresses
In her fascinating poem cycle, Gloria Mindock jolts back into memory the roots of El Salvador's present day violence. Mindock coaxes to the page the voices of the dead who lie, less in peace, than in restless obsession with the atrocities they suffered. She brings forth as well the voices of the living who seem startled to find that they died somewhere between the horrors they witnessed and the grave they have yet to lie down in. Blood Soaked Dresses is a beautiful, harrowing first book. - Catherine Sasanov
Literature in Exile
This book brings together papers presented at an international conference held in Tbilisi, Georgia, in 2013, and organised by the Shota Rustaveli Institute of Georgian Literature and the Georgian Comparative Literature Association (GCLA). It represents the first in-depth analysis of the different angles of the problem of emigration and emigrant writing, so painful for the cultural history of Soviet countries, as well as many other European countries with different political regimes. It brings together scholars from Post-Soviet countries, as well as various other countries, to discuss a range of issues surrounding emigration and emigrant writing, highlighting the historical and cultural experience of each particular country. The book deals with such significant problems as the fate of writers revolting against different political regimes, conceptual, stylistic and generic issues, the matter of the emigrant author and the language of his fiction, and the place of emigrant writers’ fiction within their national literatures and the world literary process.
Thus Spoke the Sea
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Ibbetson Street #34
In this issue we are thrilled to have the work of such noted poets as: Martha Collins, John Skoyles, Jennifer Barber, Daniel Bosch, Dan Tobin, Andrea Cohen, Marge Piercy, Alfred Nicol, Fred Marchant, Kathleen Spivack, and many others. This is the first issue edited by our new managing editor Rene Schwiesow. We are sure you will be pleased with the issue she puts together. Schwiesow and Lawrence Kessenich work on alternate issues and we are lucky to have these skilled folks on Ibbetson Street. Also - in Ibbetson Street 34, we have the artwork of Bridget Galway that adorns the front and back covers. Bridget's artwork and poetry have appeared in a number of issues and we are glad she continues to contribute her fine work to our magazine.
Translation Review
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Contemporary Short Stories from Central America
In "Metaphors," Samuel Rovinski (Costa Rica) shows how a writer's superficial attempt to interpret experience metaphorically cripples him in social circumstances, while, in "Gloria Wouldn't Wait," Panamanian Jaime Garcia Saucedo focuses on the egotism of the writer's imagination as it tries to convert the tragedies of everyday life into some kind of literary document whose artistic qualities would belie their actual reality." "Human - and humane - values in the face of adversity are celebrated throughout, even when seemingly futile in the midst of overwhelming odds. Contemporary Short Stories from Central America embraces every aspect of the human condition addressed by the literature of the Western world and demonstrates the cultural vitality of our Central American neighbors."--BOOK JACKET.
Bagels with the Bards #5
The work here is as individual and unique as each contributing Bard. Delighted readers will find a variety of styles and forms, including ekphrasia,prose poems, villanelle, and free form poetry. Between these covers can be found little day-to-day deaths, dreams, and wounds, lost causesand dead ends presented in playful, whimsical, and experimental ways.If you haven’t discovered the Bagel Bards yet, start with their latest anthology. Short of having breakfast with them at the Au Bon Pain, reading the results of their Saturday mornings is the next best thing.— Laurel Johnson Midwest Book Review
