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Pandora's Boy
Private investigator Flavia Albia is always drawn to an intriguing puzzle - even if it is put to her by her new husband's hostile ex-wife. On the Quirinal Hill, a young girl named Clodia has died, apparently poisoned with a love potion. Only one person could have supplied such a thing: a local witch who goes by the name of Pandora, whose trade in herbal beauty products is hiding something far more sinister. The supposedly sweet air of the Quirinal is masking the stench of loose morality, casual betrayal and even gangland conflict and, when a friend of her own is murdered, Albia determines to expose as much of this local sickness as she can - beginning with the truth about Clodia's death. ***...
Daniel Eatock Imprint
Imagine the work of a young designer for whom concept and humor are more important than the glossy aesthetics of mainstream periodicals and design annuals and for whom the message trumps the media, and you begin to get an idea of the refreshingly smart and thought-provoking work of Daniel Eatock. Rejecting the widely held opinion that work made without a client is "art" and work for hire is "design," Eatock challenges both categories by purposely blurring the distinction. Whether he is solving traditional client problems or those of his own choosing, Eatock’s work responds to personal fascinations and the pure desire to invent, discover, and present. The first monograph on this unconventio...
Transatlantic Cinephilia
"In the two decades after World War II, a vibrant cultural infrastructure of cineclubs, archives, festivals, and film schools took shape in Latin America through the labor of film enthusiasts who worked in concert with French and France-based organizations. In promoting the emerging concept and practice of art cinema, these film-related institutions advanced geopolitical and class interests simultaneously in a polarized Cold War climate. Seeking to sharpen viewers' critical faculties as a safeguard against ideological extremes in cinema, institutions of film culture lent prestige to Latin America's growing middle classes and capitalized on official and unofficial efforts to boost the circulation of French cinema, enhancing the nation's soft power in the wake of military defeat and occupation. As the first book-length, transnational analysis of postwar Latin American film culture, Transatlantic Cinephilia deepens our understanding of how institutional networks have nurtured alternative and nontheatrical cinemas"--
The Spectator
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The Dead in Their Vaulted Arches
Even ghosts have secrets... Two deaths, ten years apart, give Flavia de Luce the distraction she needs at a time when her family are more remote and dysfunctional than ever. Especially when a bizarre series of deadly events is casting a long shadow over everyone at Buckshaw. For Flavia, a gruesome crime to solve is only one of the mysteries confronting her, as she begins to unravel the shocking revelations surrounding the mysterious disappearance of her mother. And as she starts putting the clues together, she discovers an extraordinary tale of espionage and betrayal that may also be the key to her own destiny. Praise for the historical Flavia de Luce mysteries: 'The Flavia de Luce novels ar...
British Car Advertising of the 1960s
During the 1960s, the automobile finally secured its position as an indispensable component of daily life in Britain. Car ownership more than doubled from approximately one car for every 10 people in 1960 to one car for every 4.8 people by 1970. Consumers no longer asked "Do we need a car?" but "What car shall we have?" This well-illustrated history analyzes how both domestic car manufacturers and importers advertised their products in this growing market, identifying trends and themes. Over 180 advertisement illustrations are included.
Spectator (The)
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