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"A collection of song texts in Yiddish and English, as well as a selection of tunes Rubin transcribed, this volume brings the Jews' ancient, itinerant culture alive through children's songs, dancing songs, and songs about love and courtship, poverty and work, crime and corruption, immigration and the dream of a homeland. Rubin's notes and annotations weave each text into the larger story of the Jewish experience." --Book Jacket.
These selections represent one of the first collections of traditional Jewish music for solo guitar. It includes arrangements appropriate for parties, weddings, recitals, Bar or Bat Mitzvahs, B'rit Milah (Covenant of Circumcision), or just for personal enjoyment. These works range in difficulty from moderate to advanced. Fingerings are given along with correlating tablature to facilitate learning. An appendix is included with transliterated Hebrew or Yiddish words as well as chord symbols for accompaniment purposes. English translations are given when it is common to do so. Includes access to online audio that contains all of the pieces in the book recorded in stereo format. It serves as both an aid in learning as well as a very enjoyable solo recording. Level of difficulty - intermediate.
Here, translated into English for the first time, is a cultural record of the folk music of Eastern Europe. This volume consists of some of Ethnomusicologist Moshe Beregovski’s responses to Jewish folk music in its living context during the 1930s, including essays on Ukrainian musical influences, klezmer music, and characteristic scale patterns. Also included are Beregovski’s anthologies of hundreds of folk songs with full Yiddish and English song texts. Each song is carefully notated exactly as it was sung and is accompanied by Beregovski’s notes on origins and variants.
"Klezmer" is a Yiddish word for professional folk instrumentalist-the flutist, fiddler, and bass player that made brides weep and guests dance at weddings throughout Jewish eastern Europe before the culture was destroyed in the Holocaust, silenced under Stalin, and lost out to assimilation in America. Klezmer music is now experiencing a tremendous new spurt of interest worldwide with both Jews and non-Jews recreating this restless volatile, and vibrant musical culture. Firmly centered in the United States, klezmer has paradoxically moved back across the Atlantic as a distinctly "American" music, played throughout central and eastern Europe, as well as in many other parts of the world. Fiddle...
Audio disc contains: musical examples.
The original publications of the 1930s are scarcely to be found. The posthumous 1962 volume in the Soviet Union was limited to a tiny edition. Yet the work of the man who has been called "the foremost authority on Jewish folk music before the Holocaust," Moshe Beregovski, survives and is now available for the first time to the English-speaking world. As a member of the Jewish community as well as an ethnomusicologist in prewar Russia, Beregovski had not only the inspiration to preserve the spirit and vitality of the music that filled the lives of his people but also the professional training to document his findings to exacting standards. The first section of SIobin's book contains translati...
The dawn of the twenty-first century marked a turning period for American Yiddish culture. The 'Old World' of Yiddish-speaking Eastern Europe was fading from living memory - yet at the same time, Yiddish song enjoyed a renaissance of creative interest, both among a younger generation seeking reengagement with the Yiddish language, and, most prominently via the transnational revival of klezmer music. The last quarter of the twentieth century and the early years of the twenty-first saw a steady stream of new songbook publications and recordings in Yiddish - newly composed songs, well-known singers performing nostalgic favourites, American popular songs translated into Yiddish, theatre songs, a...
"Defining the Yiddish Nation examines the evolution of Yiddish folklore and the pioneering work of three important folklore circles in independent Poland: the Warsaw group led by Noyekh Prilutski, the S. Ansky Vilne Jewish Historical-Ethnographic Society, and the YIVO Ethnographic Commission. Much more than a study of one particular folklore tradition, however, Defining the Yiddish Nation reveals how the work of the Yiddish folklorists sought to connect Jewish identity with the past, while simultaneously contributing to an autonomous Jewish national culture that would help reshape the present and create a future."--BOOK JACKET.