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This was her last chance. Her hand twisted high in the air. When fifteen-year-old Esme Silver objects at her father’s wedding, her protest is dismissed as the action of a stubborn, selfish teenager. Everyone else has accepted the loss of Esme’s mother, Ariane—so why can’t she? But Esme is suspicious. She is sure that others are covering up the real reason for her mother’s disappearance—that ‘lost at sea’ is code for something more terrible, something she has a right to know. After Esme is accidentally swept into the enchanted world of Aeolia, the truth begins to unfold. With her newfound friends, Daniel and Lillian, Esme retraces her mother’s steps in the glittering canal city of Esperance, untangling the threads of Ariane’s double life. But the more Esme discovers about her mother, the more she questions whether she really knew her at all.
Bess was the other Duchess, Georgiana's best friend, who with Georgiana and her husband, William Cavendish, Fifth Duke of Devonshire, formed the infamous ménage à trois at Devonshire House. This fascinating story was the subject of the film The Duchess starring Keira Knightley.
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Winner of the John Gilmary Shea Prize A groundbreaking history of how Africans in the French Empire embraced both African independence and their Catholic faith during the upheaval of decolonization, leading to a fundamental reorientation of the Catholic Church. African Catholic examines how French imperialists and the Africans they ruled imagined the religious future of French sub-Saharan Africa in the years just before and after decolonization. The story encompasses the political transition to independence, Catholic contributions to black intellectual currents, and efforts to alter the church hierarchy to create an authentically “African” church. Elizabeth Foster recreates a Franco-Afri...
Faith in Empire is an innovative exploration of French colonial rule in West Africa, conducted through the prism of religion and religious policy. Elizabeth Foster examines the relationships among French Catholic missionaries, colonial administrators, and Muslim, animist, and Christian Africans in colonial Senegal between 1880 and 1940. In doing so she illuminates the nature of the relationship between the French Third Republic and its colonies, reveals competing French visions of how to approach Africans, and demonstrates how disparate groups of French and African actors, many of whom were unconnected with the colonial state, shaped French colonial rule. Among other topics, the book provides historical perspective on current French controversies over the place of Islam in the Fifth Republic by exploring how Third Republic officials wrestled with whether to apply the legal separation of church and state to West African Muslims.
Reprint of the original, first published in 1875.
Reprint of the original, first published in 1875.
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