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Boken har blitt til i forbindelse med forskningsprosjektet "The memory of the photograph", som har som målsetting å skape oversikt over fotosamlinger i Norden, baltiske stater og Russland. Boken diskuterer og informerer om katalogisering og klassifikasjon på området, og har blant annet bibliotekarer som jobber med fotosamlinger som målgruppe. Illustrert. Engelsk tekst.
Why is fashion "in fashion" in museums today? This timely volume brings together expert scholars and curators to examine the reasons behind fashion's popularity in the twenty-first century museum and the impact this has had on wider museum practice. Chapters explore the role of fashion in the museum across a range of international case studies including the Costume Institute at the Metropolitan Museum of Art in New York, The Fashion Museum at Bath, ModeMuseum in Antwerp and many more. Contributions look at topics such as how fashion has made museums accessible to diverse audiences and how curators present broader themes and issues such as gender, class and technology innovatively through exhibiting fashion. Drawing on approaches from dress history, fashion studies, museum studies and curatorship, this engaging book will be key reading for students and scholars across a range of disciplines.
This edited volume showcases new examples - previously untold stories of images, photographers, publications, and institutions - partly unknown outside the Nordic countries. The authors examine the reasons for and implications of this underexposure, taking on a photographic metaphor. While simultaneously challenging previously taken-for-granted ideas of the center and periphery in this field, the book also widens the study of fashion photography. Notably, the hybridity of approaches may enrich future studies of fashion photography. In Fashioned in the North, fashion photography is viewed as a transnational phenomenon and a material object, as well as a medium that is part of a media system and a result of archival systems and history writings. Furthermore, the book displays how studies of fashion photography can be so much more than stories of a few names and iconic images or studies of individual and periodic style. Indeed, the study of fashion photography may be a prism through which we can uncover cultural, social, economic, and ideological aspects of society at present and in the past.
Vols. 1- include the Museum's annual report.
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Between March and October of 1968 Picasso produced 347 etchings in varying sizes and techniques. Uncharacteristically, he did very little drawing and almost no painting during that year. He abandoned sculpture altogether. Instead he turened his gaze almost entirely in the direction of the etchings. His concentration on them to the exclusion of other media marks Suite 347 as a particularly condensed site for the construction of meaning. One of the aims of this book is to establish how and under what conditions he contructed that meaning.
John Dewey is known as a pragmatic philosopher and progressive architect of American educational reform, but some of his most important contributions came in his thinking about art. Dewey argued that there is strong social value to be found in art, and it is artists who often most challenge our preconceived notions. Dewey for Artists shows us how Dewey advocated for an “art of democracy.” Identifying the audience as co-creator of a work of art by virtue of their experience, he made space for public participation. Moreover, he believed that societies only become—and remain—truly democratic if its citizens embrace democracy itself as a creative act, and in this he advocated for the soc...