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This is a special issue of Fashion Theory, focusing on New European Fashion Centers. While the major fashion cities have been studied in detail, research on fashion in small European nations has been limited. The contributors map out and discuss this "second-tier" of fashion nations.
Why is fashion "in fashion" in museums today? This timely volume brings together expert scholars and curators to examine the reasons behind fashion's popularity in the twenty-first century museum and the impact this has had on wider museum practice. Chapters explore the role of fashion in the museum across a range of international case studies including the Costume Institute at the Metropolitan Museum of Art in New York, The Fashion Museum at Bath, ModeMuseum in Antwerp and many more. Contributions look at topics such as how fashion has made museums accessible to diverse audiences and how curators present broader themes and issues such as gender, class and technology innovatively through exhibiting fashion. Drawing on approaches from dress history, fashion studies, museum studies and curatorship, this engaging book will be key reading for students and scholars across a range of disciplines.
This edited volume showcases new examples - previously untold stories of images, photographers, publications, and institutions - partly unknown outside the Nordic countries. The authors examine the reasons for and implications of this underexposure, taking on a photographic metaphor. While simultaneously challenging previously taken-for-granted ideas of the center and periphery in this field, the book also widens the study of fashion photography. Notably, the hybridity of approaches may enrich future studies of fashion photography. In Fashioned in the North, fashion photography is viewed as a transnational phenomenon and a material object, as well as a medium that is part of a media system and a result of archival systems and history writings. Furthermore, the book displays how studies of fashion photography can be so much more than stories of a few names and iconic images or studies of individual and periodic style. Indeed, the study of fashion photography may be a prism through which we can uncover cultural, social, economic, and ideological aspects of society at present and in the past.
Looking at the crossroads between heritage and religion through the case study of Moravian Christiansfeld, designated as a UNESCO World Heritage site in July 2015, this anthology reaches back to the eighteenth century when the church settlement was founded, examines its legacy within Danish culture and modern society, and brings this history into the present and the ongoing heritagization processes. Finally, it explores the consequences of the listing for the everyday life in Christiansfeld and discusses the possible and sustainable futures of a religious community in a World Heritage Site.
Includes articles from the first volume of the journal 'Critical Studies in Fashion & Beauty' with an additional editorial on the auction prices of fashion collectibles.
How did an African elephant reach a North European museum? What makes fashion displayed in museums such a hot topic today? Two of the articles in this issue of Ethnologia Europaea deal with museum ideologies. Liv Emma Thorsen’s essay follows the story of a museum elephant. What lessons can be drawn from its death, transport and exhibition in a postcolonial world? Marie Riegels Melchior looks at the intersection of the fashion industry and nation branding as an arena for developing new museums. These two articles tie in with Alexandra Schwell’s reflections on ideological shifts in Austrian state officials’ concept of the nation’s place on the political landscape, past and present. Patrick Laviolette explores metaphors of emplacement to understand regional character through its linguistic idiom. Relying on extensive fieldwork, Vihra Barova employs classical kinship scholarship to understand present-day Bulgarian village ties as they are expressed in the festivities of extended families.
Fashioned in the North showcases stories of images, photographers, publications and institutions that have attracted minimal attention outside the local Nordic academic community. The authors of the book examine the reasons for, and implications of this underexposure – to use a photographic metaphor. The domain of fashion photography studies is widened here and the texts challenge often taken for granted ideas of centre and periphery in the discipline. The hybridity of this approach adds new nuances that enrich the knowledge in the field. The contributors discuss fashion photography as a trans national phenomenon, a material object, as medium and part of a media system, and as the result of archival systems and history writings. They show how in depth studies of this kind can offer so much more than focusing on but a few agents, iconic images, individual or periodic style. Indeed, case studies like these serve as a prism through which we can reveal cultural, social, economic and ideological aspects of society as these are reflected in fashion photography.
An old Mizo proverb holds that a woman’s wisdom takes her only as far as the village stream. Such proverbs and beliefs have weighed heavily on the journeys of Mizo women such that even today, more than a century after the introduction of the written alphabet in Mizoram, there are barely any narratives by women in the existing body of published texts. Women’s limited access to speaking out in the time or orality sadly did not transform into opportunities to write and publish. And yet, when the editors of this volume—perhaps the first ever such anthology in the state—set out to search for writings by women, they were delighted and surprised to find a wealth of stories, narratives, personal accounts, poems, art and more. These now grace the pages of this remarkable first-of-its-kind book.
AVA Academia's Course Reader titles are designed to support visual arts students throughout the lifetime of an undergraduate degree. Packed with examples from students and professionals and fully illustrated with clear diagrams and inspiring imagery, they offer an essential exploration of the subject. Students often struggle to develop their own style and approach to design. While the design process is fundamental to the way all fashion designers work, there is no right or wrong method: each emerging designer must find their own authentic process. Fashion Thinking establishes key approaches to design and enables this process of discovery. Nine student projects form the core of the book, representing a diverse range of strategies at each key stage of the design cycle. By following each throughout their various stages of development, these examples offer a unique and inspiring insight into the thinking behind a final collection.
Creating African Fashion Histories examines the stark disjuncture between African self-fashioning and museum practices. Conventionally, African clothing, textiles, and body adornments were classified by museums as examples of trade goods, art, and ethnographic materials—never as "fashion." Counterposing the dynamism of African fashion with museums' historic holdings thus provides a unique way of confronting ways in which coloniality persists in knowledge and institutions today. This volume brings together an interdisciplinary group of scholars and curators to debate sources and approaches for constructing African fashion histories and to examine their potential for decolonizing museums, fa...