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Sun, Sea, and Sound
Within the circum-Caribbean, the ubiquity of tourism and the variety of musical life are hard to miss. Scholars have long explored both of these themes in the Caribbean, but have done so from disciplinary perspectives that tended until recently (and for a variety of reasons) to foreclose readings that considered tourism and music together. This volume addresses itself to analyzing the dynamics and interrelationships between tourism and music throughout the region.
The Accordion in the Americas
This collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneon and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde.
The Changing Face of Afro-Caribbean Cultural Identity
The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and N gritude looks primarily at Negrismo and N gritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas. It poses the bases of both movements in the Caribbean and in Africa, and lays out the literary antecedents that influenced or shaped both movements. This book examines the search for cultural identity through the poetry of Nicolas Guill n, Manuel del Cabral, and Pal s Matos. This search is extended to the N gritude movement through the poems of L o...
Fradique Lizardo
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Origins of Cuban Music and Dance
This book is a study of changüí, a particular style of music and dance in Guantánamo, Cuba, and the roots of son, the style of music that contributed to the development of salsa, in Eastern Cuba. The book also highlights the connections between Afro-Haitian music and Cuban popular music through changüí.
Dominican Cultures
While the Spanish brought their religion, language, values, and traditions to the island to form the cornerstone of the Dominican culture, a later influx of Germans, Irish, Italians, and Sephardic Jews from the Dutch Caribbean and Lebanon added further variety. Traditional histories of the island have long overlooked the influence of black Africans on the national heritage, although this rich cultural legacy is evident in many areas. And while there has been ample discussion of the indigenous Taino people, very few of them survived over the centuries, and they left a lesser lasting imprint, limited to agriculture, diet, language, and religion.This distinctive cultural amalgam provides the backdrop for this book, which has become a classic text in the Dominican Republic. It is the first book to acknowledge creolization as the dominant feature of Dominican culture. The contributors are Dominican scholars and journalists, and they have also served as diplomats, university professors, museum directors, and artists.
Caribbean Currents
The classic introduction to the Caribbean's popular music brought up to date.
Quisqueya la Bella
A history of the Dominican Republic from pre-Columbian times to the present. The book focuses on the merger of three cultures across time - the indiginous cultures of the Caribbean, the Iberians of southern Europe and the Africans.
The Dominican Republic and the United States
From Imperialism to Transnationalism This study of the political, economic, and socio-cultural relationship between the Dominican Republic and the United States follows its evolution from the middle of the nineteenth century to the mid-1990s. It deals with the interplay of these dimensions from each country's perspective and in both private and public interactions. From the U.S. viewpoint, important issues include interpretation of the rise and fall of the Dominican Republic's strategic importance, the legacy of military intervention and occupation, the problem of Dominican dictatorship and instability, and vacillating U.S. efforts to "democratize" the country. From the Dominican perspective...
The Dictator's Seduction
The dictatorship of Rafael Trujillo, who ruled the Dominican Republic from 1930 until his assassination in 1961, was one of the longest and bloodiest in Latin American history. The Dictator’s Seduction is a cultural history of the Trujillo regime as it was experienced in the capital city of Santo Domingo. Focusing on everyday forms of state domination, Lauren Derby describes how the regime infiltrated civil society by fashioning a “vernacular politics” based on popular idioms of masculinity and fantasies of race and class mobility. Derby argues that the most pernicious aspect of the dictatorship was how it appropriated quotidian practices such as gossip and gift exchange, leaving almos...
