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Completely updated to include important primary research, archaeological findings and debates from the last decade, this third edition of F. Donald Logan's successful book examines the Vikings and their critical role in history. The author uses archaeological, literary and historical evidence to analyze the Vikings' overseas expeditions and their transformation from raiders to settlers. Focusing on the period from 800–1050, it studies the Vikings across the world, from Denmark and Sweden right across to the British Isles, the North Atlantic and the New World. This edition includes: a new epilogue explaining the aims of the book updated further reading sections maps and photographs. By taking this new archaeological and primary research into account, the author provides a vital text for history students and researchers of this fascinating people.
Was the British Atlantic shaped more by imperial rivalries or by the actions of subnational groups with a variety of economic, social, and religious agendas? The Creation of the British Atlantic World analyzes the interrelationship between these competing explanations for the development of the British Atlantic by examining migration patterns on both the macro and micro level. It also scrutinizes the roles played by trade, religion, ethnicity, and class in linking Atlantic borders and the increasingly complicated legal, intellectual and emotional relationship between the British sovereign and colonial charterholders. Contributors include Joyce E. Chaplin, John E. Crowley, David Barry Gaspar, April Lee Hatfield, James Horn, Ray A. Kea, Elizabeth Mancke, Philip D. Morgan, William M. Offutt, Robert Olwell, Carole Shammas, Wolfgang Splitter, Mark L. Thompson, Karin Wulf, Avihu Zakai.
In their tiny, sea-beaten cottage on the north coast of Scotland, Liska and Ruth await the birth of their first child. Each passes the time by telling the baby stories, trying to pass on the lessons they’ve learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But they must keep their storytelling a secret from one another, as they’ve agreed to only ever tell the plain truth. So to cloak their tales, Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window.