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Cambridge Translations of Renaissance Philosophical Texts
The Renaissance, known primarily for the art and literature that it produced, was also a period in which philosophical thought flourished. This two-volume anthology contains 40 new translations of important works on moral and political philosophy written during the Renaissance and hitherto unavailable in English. The anthology is designed to be used in conjunction with The Cambridge History of Renaissance Philosophy, in which all of these texts are discussed. The works, originally written in Latin, Italian, French, Spanish, and Greek, cover such topics as: concepts of man, Aristotelian, Platonic, Stoic, and Epicurean ethics, scholastic political philosophy, theories of princely and republican government in Italy and northern European political thought. Each text is supplied with an introduction and a guide to further reading.
Manipulating the Sun
This volume puts two biblical miracles - the Sun reversing its course in II Kings 20:8-11/Isaiah 38:8 (Horologium Ahaz) and the Sun standing still in Joshua 10:12 -, in the early modern period centre stage. We pay special attention to the development of related imagery, their role as anti-Copernican arguments (in text and image), their reception, their treatment in the mathematical sciences, and their various cultural layers, with a focus on the history of art and the history of science in the sixteenth and seventeenth centuries. The material discussed spreads from rather prosaic mathematical reflections to highly appealing visual representations of the two miracles.
Satan's Rhetoric
Reading innumerable treatises on demonology written during the Renaissance, including Thesaurus exorcismorum, the most important record of early modern exorcisms, Maggi finds repeated attempts to define the language exchanged between the fallen progeny of Adam, and the most notorious fallen angel of them all, Satan. Using points of departure taken from de Certeau and Lacan, Maggi shows that Satan articulates his language first and foremost in the mind. More than speaking, the devil tries to make human beings understand his language and speak it themselves.
Evidence in the Age of the New Sciences
The motto of the Royal Society—Nullius in verba—was intended to highlight the members’ rejection of received knowledge and the new place they afforded direct empirical evidence in their quest for genuine, useful knowledge about the world. But while many studies have raised questions about the construction, reception and authentication of knowledge, Evidence in the Age of the New Sciences is the first to examine the problem of evidence at this pivotal moment in European intellectual history. What constituted evidence—and for whom? Where might it be found? How should it be collected and organized? What is the relationship between evidence and proof? These are crucial questions, for wha...
Encyclopedia of Renaissance Philosophy
Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.
History of Italian Philosophy
This book is a treasure house of Italian philosophy. Narrating and explaining the history of Italian philosophers from the Middle Ages to the twentieth century, the author identifies the specificity, peculiarity, originality, and novelty of Italian philosophical thought in the men and women of the Renaissance. The vast intellectual output of the Renaissance can be traced back to a single philosophical stream beginning in Florence and fed by numerous converging human factors. This work offers historians and philosophers a vast survey and penetrating analysis of an intellectual tradition which has heretofore remained virtually unknown to the Anglophonic world of scholarship.
The Making of the English Gardener
The people and publications at the root of a national obsession
Averroes’ Natural Philosophy and its Reception in the Latin West
CONTENTS Paul J.J.M BakkerIntroduction Cristina CeramiL’éternel par soi Jean-Baptiste BrenetAlexandre d’Aphrodise ou le matérialiste malgré lui Dag Nikolaus HasseAverroes’ Critique of Ptolemy and Its Reception by John of Jandun andAgostino Nifo Silvia DonatiIs Celestial Motion a Natural Motion? Cecilia TrifogliThe Reception of Averroes’ View on Motion in the Latin West Edith Dudley SyllaAverroes and Fourteenth-Century Theories of Alteration Craig MartinProvidence and Seventeenth-Century Attacks on Averroes Bibliography Index Codicum Manu ScriptorumIndex Nominum
How Philosophers Saved Myths
This study explains how the myths of Greece and Rome were transmitted from antiquity to the Renaissance. Luc Brisson argues that philosophy was ironically responsible for saving myth from historical annihilation. Although philosophy was initially critical of myth because it could not be declared true or false and because it was inferior to argumentation, mythology was progressively reincorporated into philosophy through allegorical exegesis. Brisson shows to what degree allegory was employed among philosophers and how it enabled myth to take on a number of different interpretive systems throughout the centuries: moral, physical, psychological, political, and even metaphysical. How Philosophers Saved Myths also describes how, during the first years of the modern era, allegory followed a more religious path, which was to assume a larger role in Neoplatonism. Ultimately, Brisson explains how this embrace of myth was carried forward by Byzantine thinkers and artists throughout the Middle Ages and Renaissance; after the triumph of Chistianity, Brisson argues, myths no longer had to agree with just history and philosophy but the dogmas of the Church as well.
The Age of Criticism
In The Age of Criticism five key concepts of the literary criticism synthesized in the late Renaissance in Italy are examined in depth to show how the shape of literary attitudes in the whole modern world was considerably influenced and determined by sixteenth-century Italian philosophers and literary theorists. The five concepts examined are: poetry as imitation; poetry as a concrete-universal; poetry as a purgation; the poetic imagination; and the conflict between poetry as art and poetry as furor. For the sake of emphasizing the unity of the development of literary theory, the concern is almost entirely with the Italian writers of the period between 1540 and 1613, but the ultimate significance of their work lies in their contribution to the development of the culture of the West in modern times. Sperone Speroni, Ludovico Castelvetro, Francesco Patrizi, Giacopo Mazzoni, Torquato Tasso, and Paolo Beni emerge as literary critics of major importance.
