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The third volume of Friedrich von Holstein's work, Bismarck's subordinate at the German Foreign Office, containing his correspondence, 1861-1896.
The late Victorian novelist Mrs. Humphry Ward (Mary Augusta Ward) embraced the novel as her medium for exploring the serious dilemmas of the age. Her 1888 masterpiece ‘Robert Elsmere’, a novel on the theme of religious faith and doubt, enjoyed phenomenal sales on both sides of the Atlantic. Altogether Ward published 26 novels and was the world’s best-selling novelist at the turn of the century, earning royalties unprecedented at the time. For the first time in publishing history, this eBook presents Ward’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating t...
Reproduction of the original: A Writer ́s Recollections by Humphry Ward
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
"The author explores four themes relating to international relations in the modern era: Reasons of State, the Balance of Power, the Balance of Trade, and Geopolitics. He contrasts realist ideas with universalist alternatives, both religious and secular, which were based on a more optimistic view of the nature of man or the nature of society. Realist thought never attained consistent predominance, Haslam demonstrates, and the struggle with universalist thought has remained an unresolved tension that can be traced throughout the evolution of international relations theory in the twentieth century."--BOOK JACKET.
In 1878 Alexandre Ribot assumed his place at the left-center of the French Chamber of Deputies. From here he began a lifelong effort to establish a moderate republic based upon his conception of liberal political values. The time seemed propitious to instill lofty purpose into French political life, for his entry into the Chamber coincided with the consolidation of the republican regime following the crisis of 16 May. But the first wave of republican anti-clericalism revealed the fragility of Ribot's hopes. During the next forty years, successive dramatic phases in republican history - Boulangism, the Dreyfus Affair, separa tion of church and state, the emergence of socialism, and ultimately, the demands of wartime leadership - would test Ribot's system of political values. Adaptive and resilient, he refined his definition of liberalism in response to political change and the charge that his plea for liberty and toleration had become instead sanctuary for a privileged class in French society.
The history of printing, books, and libraries, is confined only to a limited extent within the boundaries of individual countries. There are, indeed, few historical developments which have played a more universal role, in reaction against all kinds of particularism, than type design, printing, book production, publishing, illustration, binding, librarianship, journal ism, and related subjects. Their history should be assessed and studied primarily in an international, not in a local, context. The bibliographical resources, however, which the historian of these sub jects has at his disposal correspond hardly at all to the essentially inter national character of the object of his studies. Since the appearance of the retrospective bibliography of BIG MORE and WYMAN, covering the subject comprehensively up to 1880, the only current bibliography has been the lnternatwnale Bibliographie des Buch-und Bi bliothekswesens. Covering a representative part of newly published liter ature, it appeared from 1928, but did not survive the Second World War. More recently, several useful, but limited, bibliographies have appeared.
“This ambitious undertaking is concerned with the melodramatic form in theatre and film and its impact on French political culture.” —H-France Review In France, both political culture and theatrical performances have drawn upon melodrama. This “melodramatic thread” helped weave the country’s political life as it moved from monarchy to democracy. By examining the relationship between public ceremonies and theatrical performance, James R. Lehning sheds light on democratization in modern France. He explores the extent to which the dramatic forms were present in the public performance of political power. By concentrating on the Republic and the Revolution and on theatrical performanc...