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Jane Austen
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Catullus, Tibullus, and Pervigilium Veneris
TIBULUS (Albius, c. 54-19 B.C.), of equestrian rank and a friend of Horace, enjoyed the patronage of Marcus Valerius Messalla Corvinus, whom he several times apostrophizes. Three books of elegies have come down to us under his name, of which only the first two are authentic. Book I mostly proclaims his love for Delia, Book 2 his passion for Nemesis. The third book consists of a miscellany of poems from the archives of Messalla; it is very doubtful whether any come from the pen of Tibullus himself. But a special interest attaches to a group of them which concern a girl called Sulpicia: some of the poems are written by her lover Cerinthus, while others purport to be her own composition.
The Poems of Gaius Valerius Catullus
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Jane Austen
Mr. Francis Warre Cornish has devoted most of his chapters to a running comment on the novels. His criticism of the characters is shrewd and has the pleasant flavor of talk about people with whom one is intimately acquainted. He also excels in analyzing the plots and in reproducing the atmosphere of the country life which surrounded Jane Austen.
The Post-Darwinian Controversies
The Post-Darwinian Controversies offers an original interpretation of Protestant responses to Darwin after 1870, viewing them in a transatlantic perspective and as a constitutive part of the history of post-Darwinian evolutionary thought. The impact of evolutionary theory on the religious consciousness of the nineteenth century has commonly been seen in terms of a 'conflict' or 'warfare' between science and theology. Dr. Moore's account begins by discussing the polemical origins and baneful effects of the 'military metaphor', and this leads to a revised view of the controversies based on an analysis of the underlying intellectual struggle to come to terms with Darwin. The middle section of t...
Shakespeare's Visual Theatre
In this study of Shakespeare's visual culture Frederick Kiefer looks at the personified characters created by Shakespeare in his plays, his walking, talking abstractions. These include Rumour in 2 Henry IV, Time in The Winter's Tale, Spring and Winter in Love's Labour's Lost, Revenge in Titus Andronicus, and the deities in the late plays. All these personae take physical form on the stage: the actors performing the roles wear distinctive attire and carry appropriate props. The book seeks to reconstruct the appearance of Shakespeare's personified characters; to explain the symbolism of their costumes and props; and to assess the significance of these symbolic characters for the plays in which they appear. To accomplish this reconstruction, Kiefer brings together a wealth of visual and literary evidence including engravings, woodcuts, paintings, drawings, tapestries, emblems, civic pageants, masques, poetry and plays. The book contains over forty illustrations of personified characters in Shakespeare's time.
