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Rafael Moneo
A critical look at the life, work, and influence of the important and award-winning Spanish architect Rafael Moneo The Spanish architect Rafael Moneo (b. 1937) has won numerous awards (including the prestigious Pritzker Architecture Prize), yet this publication is the first to offer a critical study of his career as a whole--not only his many built works and projects but also his contributions to teaching and his writings. The book begins with a comprehensive biography, covering Moneo's education, teaching appointments, and encounters with historians and architects in Europe and the United States, such as Peter Eisenman, J rn Utzon, and Bruno Zevi. Also included is a discussion of some of th...
Experiments with Life Itself
Every book relating the history of modern architecture features a large number of pages dedicated to avant-garde designs and the formation of the modern movement in the interwar years, and a similar number devoted to reconstruction and expansion after the Second World War. Meanwhile, as if owing to lack of understanding or convenient silence, there is void of dark years, of wars, exile and misfortune about which little can be said. However, it was in these dark times, as in so many other revealing moments in the history of culture, that experimental and profoundly invigorating experiences were taking place. Architects and artists voluntarily or forcibly driven to the margins of social importance began to react to a culturally unsustainable situation of which we know very little even today. In Experiments with Life Itself, Francisco Gonzalez de Canales studies a series of unrelated cases from the late 1930s to the late 1950s that he refers to as domestic self-experimentation.
First Works
During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of architectural careers through a selection of projects undertaken during the 60s and 70s. The book presents a single key early project, in the form of models, sketches, photographs and drawings, by 20 young architectural practices: Archigram, Archizoom, Aldo Rossi, Alvaro Siza, Cedric Price, Robert Venturi, Norman Foster and Richard Rogers, Paul Virilio and Claude Parent, Rafael Moneo, Renzo Piano, Peter Eisenman, Coop Himmelb(l)au, Toyo Ito, Rem Koolhaas, Daniel Libeskind, Tom Mayne and Michael Rotondi, Morphosis, Bernard Tschumi, Herzog & de Meuron and Zaha Hadid. Alongside these 'first works', 20 invited critics, including Kenneth Frampton, Sylvia Lavin and Pier Vittorio Aureli, offer contemporary commentaries on these projects and their place within the architects' subsequent careers.
Net Works
This is the second volume of a trilogy by Brett Steele and Francisco Gonzalez de Canales exploring the changing conditions of architecture in relation to modern technologies and experimentation. The book surveys the relationship between architecture and networks.
Region
This book explores how the concept of ‘region’ has evolved over time and shaped architectural culture and practice. It questions what the words ‘region’ and ‘regional’ mean for architecture, cities and landscapes past and present, and speculates on the forms they might take in the future. Region is explored in many thematic guises: as a real geographical site of evolving socio-economic activity; as a mythical locus of enduring value; as a gatekeeper of indigenous crafts and vernacular techniques; as a site of architectural and artistic imagination; as a repository of contested, conflicted and mobile identities. The contributing chapters take these themes from the theoretical and ...
Architectural Theories of the Environment
As architects and designers, we struggle to reconcile ever increasing environmental, humanitarian, and technological demands placed on our projects. Our new geological era, the Anthropocene, marks humans as the largest environmental force on the planet and suggests that conventional anthropocentric approaches to design must accommodate a more complex understanding of the interrelationship between architecture and environment Here, for the first time, editor Ariane Lourie Harrison collects the essays of architects, theorists, and sustainable designers that together provide a framework for a posthuman understanding of the design environment. An introductory essay defines the key terms, concept...
The Mannerist Mind
Departing from a discussion on what it would be a mannerist attitude in the architecture of today, and theorizing around it, this book analyzes some works of contemporary European practices including Lutjens Padmanabhan, architekten de vylder vinck taillieu, TEd’A, Maio, 6a architects and AOffice KGDVS. Art critics between the seventeenth and nineteenth centuries imprinted a long-standing derogatory meaning to the word “mannerism”. Even though scholars such as John Shearman or Wolfgang Lotz rehabilitated the term to a certain degree during the twentieth century, it is still uncommon nowadays to find the expression “mannerist” used without certain pejorative connotations. This book provides a contemporary revision of the mannerist attitude for the present, creating a framework to analyze and shed light not only on the work that these practices are carrying out, but also on the less evident filiations and affinities, as well as on their deeper implications.
Rafael Moneo
Rafael Moneo is a courageous architect, one who for decades has defined his own style of architecture. With a sensitivity to materials and context unmatched by any living architect, Moneo has created a series of important works, including the Audrey Jones Beck Building at the Museum of Fine Arts in Houston, Our Lady of the Angels Cathedral in Los Angeles, and, perhaps most notably, the extension to the Prado Museum in Madrid. A teacher and critic, Moneo now turns his analytical eye to his own work. Twenty-one carefully selected projects are presented in detail, from the initial idea and through construction to the completed work and illustrated by a spectacular suite of new color images by architectural photographer Michael Moran. These are combined with Moneo’s own drawings as well as informal documentary material from the design of each of the projects.
Experiments with Life Itself
Every book relating the history of modern architecture features a large number of pages dedicated to avant-garde designs and the formation of the modern movement in the interwar years, and a similar number devoted to reconstruction and expansion after the Second World War. Meanwhile, as if owing to lack of understanding or convenient silence, there is void of dark years, of wars, exile and misfortune about which little can be said. However, it was in these dark times, as in so many other revealing moments in the history of culture, that experimental and profoundly invigorating experiences were taking place. Architects and artists voluntarily or forcibly driven to the margins of social importance began to react to a culturally unsustainable situation of which we know very little even today. In Experiments with Life Itself, Francisco Gonzalez de Canales studies a series of unrelated cases from the late 1930s to the late 1950s that he refers to as domestic self-experimentation.
The Mannerist Mind
Departing from a discussion on what it would be a mannerist attitude in the architecture of today, and theorizing around it, this book analyzes some works of contemporary European practices including Lutjens Padmanabhan, architekten de vylder vinck taillieu, TEd'A, Maio, 6a architects and AOffice KGDVS. "Art critics between the seventeenth and nineteenth centuries imprinted a long-standing derogatory meaning to the word "mannerism". Even though scholars such as John Shearman or Wolfgang Lotz rehabilitated the term to a certain degree during the twentieth century, it is still uncommon nowadays to find the expression "mannerist" used without certain pejorative connotations. This book provides a contemporary revision of the mannerist attitude for the present, creating a framework to analyze and shed light not only on the work that these practices are carrying out, but also on the less evident filiations and affinities, as well as on their deeper implications.
