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Staging Favorites explores theatrical representations of royal favorites in Spanish, French, and English dramatic production during the late sixteenth and seventeenth centuries. During this time, the courts of Spain, France, and England were dominated by all-powerful ministers who enjoyed royal favor. The politics of royal favoritism gave rise to a significant group of plays which constitutes the subject of this book. While scholars have studied this group partially and separately in national context, Staging Favorites approaches these "dramas about favorites" from a wider European point of view, and performs comparative analyses of a number of plays – including La paciencia en la fortuna; Le Favori, ou la Coquette; and Sejanus His Fall – and adds new detail and differentiation to the early modern perception and representation of the royal favorite. This book will appeal to scholars and students interested in early modern literature, history of theater, and cultural history.
In this eye-opening account, Hernán Díaz and Francisco Gómez Del Rey explore the dark side of Plutarco Elías Calles, the self-proclaimed black czar and Bolshevik dictator of Mexico. Through vivid storytelling and extensive research, the authors reveal how Calles rose to power and the brutal tactics he used to maintain his hold on the country. A must-read for anyone interested in Mexican history and politics. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This two-part book on collections of paintings in Madrid is part of the series Documents for the History of Collecting, Spanish Inventories 1, which presents volumes of art historical information based on archival records. One hundred forty inventories of noble and middle-class collections of art in Madrid are accompanied by two essays describing the taste and cultural atmosphere of Madrid in the seventeenth and eighteenth centuries.
Yearning for his roots and for a return to the land of his birth, Lucero follows two families across 12 generations, from their entry into New Mexico at "La Toma del Rio del Norte," in 1598, to their achievement of statehood in 1912 and beyond.
Francisco Gómez de Sandoval, Duke of Lerma (1553-1625) is the last major unknown statesman in modern European history. Patrick Williams brings him dramatically to life and challenges the assumptions that historians have made about him and about Spanish history at a time of profound crisis, inviting a re-evaluation of the phenomenon of government by favorites in this seminal period of European history.
Since his first publication in 1942, Luis Leal has likely done more than any other writer or scholar to foster a critical appreciation of Mexican, Chicano, and Latin American literature and culture. This volume, bringing together a representative selection of Leal’s writings from the past sixty years, is at once a wide-ranging introduction to the most influential scholar of Latino literature and a critical history of the field as it emerged and developed through the twentieth century. Instrumental in establishing Mexican literary studies in the United States, Leal’s writings on the topic are especially instructive, ranging from essays on the significance of symbolism, culture, and histor...
A well-balanced summary of Fray AngA(c)lico ChAvezas contributions to New Mexico literature and art.
A biography of Isaac Orobio de Castro, a crypto-Jew from Portugal and one of the most prominent intellectual figures in the 17th century. This work sheds light on the life of a Jewish community of former Christians in Amsterdam and examines their dilemmas and attempts to create a new identity.