You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This extraordinary series of observations on England and Ireland complements de Tocqueville's masterpieces on the United States and France in the mid-nineteenth century. These pages are perhaps the most penetrating writings on the spirit of British politics. In effect, as indicated by John Stuart Mill, de Tocqueville was the Montesquieu of the nineteenth century. This is especially the case if one thinks of the present Irish situation. His political acumen reached into the future -which is now our present.
This collection examines the afterlives of early modern English and French rulers. Spanning five centuries of cultural memory, the volume offers case studies of how kings and queens were remembered, represented, and reincarnated in a wide range of sources, from contemporary pageants, plays, and visual art to twenty-first-century television, and from premodern fiction to manga and romance novels. With essays on well-known figures such as Elizabeth I and Marie Antoinette as well as lesser-known monarchs such as Francis II of France and Mary Tudor, Queen of France, Remembering Queens and Kings of Early Modern England and France brings together reflections on how rulers live on in collective memory.
Ideology and Royal Power is a collection of essays describing and assessing the ways in which royal publicists in medieval France conceived the authority of the crown, especially with regard to protecting and defending its Christian subjects from their alleged enemies at home and abroad--corrupt officials, Jews (particularly moneylenders), heretics, and Muslims. A number of the essays also describe the execution of royal policies with respect to these groups and evaluate their impact, both in terms of the groups affected and their influence on further developments in royal ideology. A key figure is that of Louis IX, Saint Louis (r. 1226-1270).
A lively history of French opera in its cultural and historical context by one of France's leading musicologists.
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
A Book of European Writers A-Z By Country Published on June 12, 2014 in USA.
Opera Production II was first published in 1974. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. For the world of opera this is an indispensable basic reference work which provides essential information about more than 350 operas. Producers, singers, directors, students, orchestras, and audiences will find useful, concise information in this handbook, a sequel to the author's earlier book Opera Production I: A Handbook, which contains similar information about more than 500 other operas. While the first volume concentrates on more familiar operas, thi...