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Lockheed
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The Best Women's Stage Monologues of 2004
Gathers fifty-nine selections from plays suitable for use as audition monologues.
Love, Paul Gambaccini
Paul Gambaccini was arrested in the dead of night in October 2013. Possessions confiscated, smeared in the press and rendered unemployable, Gambaccini was forced to pay tens of thousands of pounds in legal fees without an income. For a year he was repeatedly bailed and rebailed, often learning of new developments in his case from the media furore that surrounded him. Finally, inevitably, he was exonerated and added to the ever-growing list of celebrities falsely accused of historical sexual abuse. Love, Paul Gambaccini is the full, unflinching story of the witch-hunt Gambaccini endured during those twelve horrific months as part of Operation Yewtree. Drawing strength from family and friends, he vowed to keep a journal during his ordeal, writing every day until his case was dismissed. The result is not only a searing account of how it felt to have the full weight of the state brought to bear on him; it is also an urgent, rallying call to arms to all those who care about the quest for justice.
Theatre World
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Cartoonists, Works, and Characters in the United States through 2005
This penultimate work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American cartoonists and their work. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute...
Weyward Macbeth
Weyward Macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways Shakespeare's 'Macbeth' has been adapted and appropriated within the context of American racial constructions. Comprehensive in its scope, this collection addresses the enduringly fraught history of 'Macbeth' in the United States, from its appearance as the first Shakespearean play documented in the American colonies to a proposed Hollywood film version with a black diasporic cast. Over two dozen contributions explore 'Macbeth's' haunting presence in American drama, poetry, film, music, history, politics, acting, and directing — all through the intersections of race and performance.
