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This book brings together twenty-four original essays by colleagues, pupils and friends of Kerry Downes. The essays range from the late middle ages to the twentieth century but are concentrated on the period to the study of which Kerry Downes has contributed so much: that of Wren, Vanbrugh and Hawksmoor. Taken together these essays display the different approaches taken by architectural historians and the rich variety of English architecture.
The relationship of economics, capitalism and wealth to the ethics and morality of religion has intrigued and challenged policymakers, pressure groups, theologians, sociologists, economists and historians for centuries. Here David Jeremy addresses these questions in the context of modern Britain. His preliminary survey of historical controversies within religion and business, and the accompanying chronology of significant events since the 1770s are an extremely useful introduction for those unfamiliar with the field.
This book extends the concept of British vernacular architecture beyond its traditional base of pre-modern domestic and industrial architecture to embrace other buildings such as places of worship, villas, hospitals, suburban semis and post-war mass housing. Engaging with wider issues of social and cultural history, this book is of use to anyone with an interest in architectural history. Presented in an essentially chronological sequence, from the medieval to the post-war, diverse fresh viewpoints in the chapters of this book reinforce understanding of how building design emerges not just from individual agency, that is architects, but also from the collective traditions of society.
The period 1660–1720 saw the foundation of modern London. The city was transformed post-Fire from a tight warren of medieval timber-framed buildings into a vastly expanded, regularised landscape of brick houses laid out in squares and spacious streets. This work for the first time examines in detail the building boom and the speculative developers who created that landscape. It offers a wealth of new information on their working practices, the role of craftsmen and the design thinking which led to the creation of a new prototype for English housing. The book concentrates on the mass-produced houses of 'the middling sort' which saw the adoption of classicism on a large scale in this country...
All physicists are familiar with Hooke's law of springs, but few will know of his theory of combustion, that his Micrographia was the first book on microscopy, that his astronomical observations were some of the best seen at the time, that he contributed to the knowledge of respiration, insect flight and the properties of gases, that his work on gravitation preceded that of Newton's, that he invented the universal joint, and that he was an architect of distinction and a surveyor for the City of London after the Great Fire. England's Leonardo is a biography of Hooke covering all aspects of his work, from his early life on the Isle of Wight through his time at Oxford University, where he became part of a group who would form the original Fellowship of the Royal Society. The author adopts a novel approach at this stage, dividing the book by chapter according to the fields of research-Physiology, Engineering, Microscopy, Astronomy, Geology, and Optics-in which Hooke applied himself. The book concludes with a chapter considering the legacy of Hooke and his impact on science.