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In this provocative and groundbreaking nonfiction novel, Albert Wang who is an investigative reporter in the tradition of Hunter Thompson and Norman Mailer reinvents his fictional alter-ego qi peng as a Utah conceptual artist who is trying to make it into the contemporary art world, particularly New York City, from a relative unknown.This mystery novel begins with qi peng's suicide within his future and leads down a darker path into this emerging artist's sordid past as he aspires to find love and appreciation from his fellow artists/characters/celebrities... Wang's controversial reportage as an act of performance art focuses on the spiritual "murder" of the soul as a counterpart to Truman Capote's classic book, "In Cold Blood," that looks at physical murder of humans.
Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court’s decision striking down a government ban on Roberto Rossellini’s film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere ‘business’ unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as ‘sacreligious.’ Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue ...
Lowell L. Bennion is legendary in many circles. An LDS institute instructor and professor of sociology at the University of Utah, he was never content simply to quantify social ills or to preach against them but actively set out to correct what he could. He founded and directed the Teton Valley Boys Ranch, served as executive director for the Salt Lake City Community Services Council, and organized other charities.His heart was with the underprivileged. He detested Pharisaism and often quoted biblical passages on the topic adapted to a Mormon ear: As your treading is upon the poor, ... I hate, I despise your f(ast) days, and I will not (dwell in) your solemn assemblies ... Take thou away from me the noise of thy songs; for I will not hear ... Woe unto them that are at ease in Zion. Bennion passed away in 1996 just after this biography was released, leaving an enormous void where he had been a beacon to humanitarian and liberation causes in his community.
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What can the religious objects used by nineteenth- and twentieth-century Americans tell us about American Christianity? What is the relationship between the beliefs of the faithful and the landscapes they build? This lavishly illustrated book investigates the history and meaning of Christian material culture in America over the last 150 years. Drawing on a rich array of historical sources and on in-depth interviews with Protestants, Catholics, and Mormons, Colleen McDannell examines the relationship between religion and mass consumption. She describes examples of nineteenth-century religious practice: Victorians burying their dead in cultivated cemetery parks; Protestants producing and displ...