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An art collector who was a patient at the Amsterdam Medical Center once expressed his gratitude with a donation of several works of art, the seed for the extraordinary modern art collection that now flourishes at the Amsterdam Medical Center. Since it began seriously cultivating its art collection in the 1980s, the Center has amassed approximately 5,000 works by Dutch and Dutch-resident artists. The Amsterdam Medical Center Art Book is an extraordinary showcase of the Center’s rich and diverse collection, which focuses on Dutch art from the 1950s through the 1970s. The book highlights several stunning examples within the collection of such benchmark art movements as CoBrA, Mixed Media Art, Zero Art, and New Figuration. Other fascinating pieces featured in the book were created by artists-in-residence, who were allowed to draw from live scenes in the Center’s operating theater and maternity ward. This volume ultimately presents a fascinating survey of Dutch post-war art, with over 100 vibrant color illustrations that include works by Eugene Brands, Karel Appel, Constant, Marc Mulders, Roy Villevoye, and Marlene Dumas.
In scarcely 200 pages, Professor Kuhns has surveyed the factors that compelled roughly 100,000 emigrants from the Palatinate, Wurtenberg, Zweibrucken, and other principalities in southern Germany to settle in Pennsylvania between 1683 and 1776 and establish a new way of life in their adopted homeland. Most of these immigrants were farmers, and their customs and manners are recounted in an examination of housing, provisions, agricultural methods, superstitions, and so forth. There is a chapter on language, literature, and education and a separate appendix on German family names. Perhaps the most informative chapter in the book covers the extraordinarily diverse religious life of these Protestant Germans, which, while dominated by the Lutheran and Reformed churches, also accommodated Moravians, Mennonites, Brethren, Dunkards, Seventh-Day Baptists, Schwenckfelders, and others.
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