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This volume brings together a collection of essays focusing on selected aspects of inter- and multidisciplinarity in contemporary Austrian culture. These include the connections between literature and the media, literature and the visual arts, literature and travel, and the visual arts and public space. The individual contributions deal with central figures in the Austrian arts, including Thomas Bernhard, Franzobel, Elfriede Jelinek, Peter Handke, Peter Turrini and Doron Rabinovici, as well as collective ventures such as Walter Grond's Odysseus project and the museum in progress. They analyse the impact of connections between disciplines on the cultural landscape in contemporary Austria, as well as examining the limits of such interaction between disciplines.
Insightful essays on the striking resemblances between the Viennese literary/cultural scene in 1900 and 100 years later.This book of new essays by widely-published scholars from the United States, Great Britain, Germany, and Austria examines the artistic, social, political, and historical continuities and discontinuities in Viennese literature during the periods around 1900 and 2000. It takes its impetus from the idea that both turns of the century are turning points in the development of Austrian literature and history. The essays show that in both periods literature not only reflects societal conditions and political issues, but also serves to criticize them. Ernst Grabovszki''s introducti...
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Well before the far-right resurgence that has most recently transformed European politics, Austria’s 1999 parliamentary elections surprised the world with the unexpected success of the Freedom Party of Austria and its charismatic leader, Jörg Haider. The party’s perceived xenophobia, isolationism, and unabashed nationalism in turn inspired a massive protest movement that expressed opposition not only through street protests but also in novels, plays, films, and music. Through careful readings of this varied cultural output, The Art of Resistance traces the aesthetic styles and strategies deployed during this time, providing critical context for understanding modern Austrian history as well as the European protest movements of today.
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Laurenz Schulz liefert neue Erkenntnisse hinsichtlich der Etymologie und des regionalen Ursprungs des Kitschbegriffs und zeigt auf, dass die Werte Wahrheit, Originalität und Distanz dessen Bedeutung in invertierter Form dominieren. Die bisher in der Forschung gängige Annahme, dass Rührung bzw. Distanz die wichtigsten Werte für den Kitschbegriff sind, werden vom Autor widerlegt. Ausgehend hiervon vergleicht er den Kitsch-Diskurs mit den historischen Vorläuferphänomenen sowie postmodernen Phänomenen wie Camp und Trash und stellt argumentative Parallelen und Wertkongruenzen sowie Unterschiede heraus.
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