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A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
Issued also in French under title: Opus, la facture instrumentale au Canada.
Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR
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This unique exploration of commemoration and memory traces Jacque Cartier’s evolving image over five centuries to show how changing notions of the past have shaped identity formation and nationalism in English- and French-speaking Canada.
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These biographies of Canadians are arranged chronologically by date of death. Entries in each volume are listed alphabetically, with bibliographies of source material and an index to names.
Rassesses theories of transition and the social dynamics of white settlers' colonies. Using colonial Quebec under British rule as their case study, the authors demonstrate the social and economic processes that have shaped Quebec.