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A Bishop and His World Before the Gregorian Reform
Contents: Part One: (I) The Background; (II) The World of the Family: Genealogical Chart A: The Family of Bishop Hubert of Angers: Genealogical Chart B: The Family of Fulcherius the Rich of Vendome; Genealogical Chart C: The Family of Viscount Fulcradus of Vendome; Genealogical Chart D: The Family of the Viscounts of Le Mans Genealogical Chart E: The Houses of Belleme and Chateau-du-Loir; (III) The Political World; (IV) The Ecclesiastical World; (V) Conclusion. Part Two: Catalogue of Acts of Bishop Hubert of Angers; Introduction; Summary of the Contents of the Catalogue; Abbreviatons Used in Part II; The Catalogue; Index of Customs in Documents in Part II; Index of Ecclesiastical Rights; Index of Ecclesiastical Establishments in Documents in Part II; Index of Pesonal Names in Documents in Part II; Index of Place Names in Part II Documents; Correspondence to Other Catalogues. Bibliography.
Florilegia Syriaca: Mapping a Knowledge-Organizing Practice in the Syriac World
From the 6th century onwards, Syriac patristic florilegia – collections of Greek patristic excerpts in Syriac translation – progressively became a prominent form through which Syriac and Arab Christians shaped their knowledge of theology. In these collections, early Greek Christian literature underwent a substantial process of selection and re-organization. The papers collected in this volume study Syriac florilegia in their own right, as cultural products possessing their own specific textuality, and outline a phenomenology of Syriac patristic florilegia by mapping their diffusion and relevance in time and space, from the 6th to the 17th century, from the Roman Empire to China.
Manuscripts, Market and the Transition to Print in Late Medieval Brittany
Manuscripts, Market and the Transition to Print in Late Medieval Brittany surveys the production and marketing of non-monastic manuscripts and printed books over 150 years in late medieval Brittany, from the accession of the Montfort family to the ducal crown in 1364 to the duchy's formal assimilation by France in 1532. Brittany, as elsewhere, experienced the shift of manuscript production from monasteries to lay scriptoria and from rural settings to urban centers, as the motivation for copying the word in ink on parchment evolved from divine meditation to personal profit. Through her analysis of the physical aspects of Breton manuscripts and books, parchment and paper, textual layouts, scripts and typography, illumination and illustration, Diane Booton exposes previously unexplored connections between the tangible cultural artifacts and the society that produced, acquired and valued them. Innovatively, Booton's discussion incorporates archival research into the prices, wages and commissions associated with the manufacture of the works under discussion to shed new light on their economic and personal value.
