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From monastic cloisters in the time of Charlemagne to the book-lined studies of twentieth-century authors, this splendid book presents an overview of the literary and artistic world in France. The Bibliothèque nationale de France, today rich in collections of illuminated manuscripts, books, medals, maps, and prints, had its beginnings when Charles V established his library in the falcon tower of the Louvre. During the Middle Ages, culture was the handmaiden of Church and government; during the absolute monarchy, it became an instrument of propaganda; in the eighteenth century, it developed an independent voice. This book explores the changing relationship between power and culture in France as seen in the history of its national library.
A panoramic study of the vibrant literary and intellectual culture that emerged in seventeenth-century France, drawing on the writings of over 100 men and women of letters, 'the generation of 1630', to understand the rise and refinement of the French language and the development of the literary culture of French classicism.
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
The first extensive study of the intersection between family and social hierarchy within early modern literary production.
Containing critical readings of some major French authors in the light of the evolving relations between biography and literature, this book offers a history of French literature over a 300-year period, and also a discussion of biography - its forms, history, and functions
This volume contains the proceedings of the Second International Symposium on Transition Metal Catalyzed Polymerizations held in 1986. The papers provide a broad-based perspective covering recent scientific and technological advances in Ziegler-Natta and metathesis polymerization, including olefin, diene, and acetylene polymerization, and copolymerization. The emphasis on reaction kinetics of polymerizations in different reagent and catalyst environments makes this volume of interest to both academic and industrial researchers.
Gérard Garouste, Colette Deblé, Georges Rousse, Geneviève Asse, Martial Raysse, Christian Jaccard, Joël Kermarrec, Danièle Perronne, Daniel Dezeuze, Philippe Favier, Daniel Nadaud: after the eleven essays of Contemporary French Art 1, devoted to major artists from Ben Vautier and Niki de Saint Phalle to Annette Messager and Gérard Titus-Carmel, the present volume pursues its interrogations of the what, the how and the why of contemporary plastic production of some of France’s finest practitioners. If, as ever, such production can reveal elements of an interweaving of individualized preoccupations and modes, endless specificities demarcate and affirm originalities that pure theory and...
The first English translation of essays from one of the twentieth century's most intriguing avant-garde writers Compiled from two volumes of Raymond Queneau's essays (Bâtons, chiffres et lettres and Le Voyage en Grèce), these selections find Queneau at his most playful and at his most serious, eloquently pleading for a certain classicism even as he reveals the roots of his own wildly original oeuvre. Ranging from the funny to the furious, they follow Queneau from modernism to postmodernism by way of countless fascinating detours, including his thoughts on language, literary fashions, myth, politics, poetry, and other writers (Faulkner, Flaubert, Hugo, and Proust). Translator Jordan Stump provides an introduction as well as explanatory notes about key figures and Queneau himself.
This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.