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Focusing on aspects of the functioning of technology, and by looking at instruments and at instrumental performance, this book addresses the epistemological questions arising from examining the technological bases to geographical exploration and knowledge claims. Questions of geography and exploration and technology are addressed in historical and contemporary context and in different geographical locations and intellectual cultures. The collection brings together scholars in the history of geographical exploration, historians of science, historians of technology and, importantly, experts with curatorial responsibilities for, and museological expertise in, major instrument collections. Ranging in their focus from studies of astronomical practice to seismography, meteorological instruments and rockets, from radar to the hand-held barometer, the chapters of this book examine the ways in which instruments and questions of technology - too often overlooked hitherto - offer insight into the connections between geography and exploration.
The long-buried truth about the dawn of the Space Age: lies, spies, socialism, and sex magick. Los Angeles, 1930s: Everyone knows that rockets are just toys, the stuff of cranks and pulp magazines. Nevertheless, an earnest engineering student named Frank Malina sets out to prove the doubters wrong. With the help of his friend Jack Parsons, a grandiose and occult-obsessed explosives enthusiast, Malina embarks on a journey that takes him from junk yards and desert lots to the heights of the military-industrial complex. Malina designs the first American rocket to reach space and establishes the Jet Propulsion Laboratory. But trouble soon finds him: the FBI suspects Malina of being a communist. And when some classified documents go missing, will his comrades prove as dependable as his engineering? Drawing on an astonishing array of untapped sources, including FBI documents and private archives, Escape From Earth tells the inspiring true story of Malina's achievements--and the political fear that's kept them hidden. At its heart, this is an Icarus tale: a real life fable about the miracle of human ingenuity and the frailty of dreams.
George MacDonald Fraser's hilarious stories of the most disastrous soldier in the British Army are collected together for the first time in one volume. Private McAuslan, J., the Dirtiest Soldier in the World (alias the Tartan Caliban, or the Highland Division's answer to the Pekin Man) first demonstrated his unfitness for service in The General Danced at Dawn. He continued his disorderly advance, losing, soiling or destroying his equipment, through the pages of McAuslan in the Rough. The final volume, The Sheikh and the Dustbin, pursues the career of the great incompetent as he shambles across North African and Scotland, swinging his right arm in time with his right leg and tripping over his untied laces. His admirers know him as court-martial defendant, ghost-catcher, star-crossed lover and golf caddie extraordinary. Whether map-reading his erratic way through the Sahara by night or confronting Arab rioters, McAuslan's talent for catastrophe is guaranteed. Now, the inimitable McAuslan stories are collected together in one glorious volume.
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‘There is no doubt that [Quartered Safe Out Here] is one of the great personal memoirs of the Second World War’ John Keegan
Harry Flashman: the unrepentant bully of Tom Brown's schooldays, now with a Victoria Cross, has three main talents - horsemanship, facility with foreign languages and fornication. A reluctant military hero, Flashman plays a key part in most of the defining military campaigns of the 19th century, despite trying his utmost to escape them all. Flashman, soldier, duellist, lover, imposter, coward, cad and hero, triumphs in this first instalment of The Flashman Papers. His adventures as the reluctant secret agent in Afghanistan and his entry into the exclusive company of Lord Cardigan's Hussars culminate in his foulest hour - his part in the historic disaster of the Retreat from Kabul. This is the story of a blackguard who enjoyed villainy for its own sake. Shameless, exciting and funny, Flashman's deplorable odyssey is observed with the cynical eye of a scoundrel who was honest only in reporting what he saw. He makes all other black sheep look respectable grey.
For this riotous Edwardian caper, the author of the bestselling "Flashman Papers" presents a raucous adventure that brings America's Wild West to London's West End and features arch-cad Harry Flashman.
Three of George MacDonald Fraser’s incomparable and hilarious novels featuring the lovable rogue, soldier, cheat, and coward: Harry Paget Flashman. Praised by everyone from John Updike to Jane Smiley, Fraser was an acknowledged master of comedy and satire, an unrivaled storyteller, whose craft was matched only by his impeccable historical research. And his greatest creation was, of course, Flashman. The novels collected here find our hero in the midst of his usual swashbuckling adventures of derring-do: fleeing adversaries in the First Anglo-Afghan War; meeting and nearly deceiving a young Abraham Lincoln in America; alternately impersonating a native Indian cavalry recruit and wooing women in India; and managing, whatever the circumstances, to keep his hero’s reputation unsullied. A must-have treat for the legions of dedicated Flashman fans, and a delightful introduction for those lucky enough to be encountering him for the first time.
Iceberg Philanthropy turns traditional planned giving on its head by showing fundraisers how very ordinary donors are making extraordinary gifts to charity in their wills. With a powerful synergy of major gift strategy and direct marketing tactics, Iceberg Philanthropy shows fundraisers how to extend their reach way beyond previous planned giving frontiers. A must read for any fundraiser with an imagination and a sense of humour!
The second volume of memoir by New Zealand artist, feminist, and writer Jacqueline Fahey, this book kicks off after her marriage to celebrated psychiatrist Fraser McDonald. As it recounts Fahey's battles against conventional society to shape a life as an artist as well as a wife and mother, this narrative describes her experience in New Zealand and Australian mental hospitals and art schools, and her friendships with Rita Angus and Eric McCormick. Hilarious, opinionated, and fiery, this account is held together by the inimitable voice of a fiercely original and nonconformist storyteller.