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From the earliest records of exploration and encounter to the globalized, multicultural present, this compilation features New Zealand's major writing, from Polynesian mythology to the Yates' Garden Guide, from Allen Curnow to Alice Tawhai, and from Wiremu Te Rangikaheke's letters to Katherine Mansfield's notebooks. Including fiction, nonfiction, letters, speeches, novels, stories, comics, and songs, this imaginative selection provides new paths into New Zealand writing and culture.
Fast Talking PI is the first 'singular, confident and musical' collection of poetry by Auckland writer Selina Tusitala Marsh. 'Tusitala' means writer of tales in Samoan, and Marsh here lives up to her name with stories of her life, her family, community, ancestry, and history. Her poetry is sensuous and strong, using lush imagery, clear rhythms and repetitions to power it forward. The list poem is a favourite style, but she also writes with a Pacific lyricism entirely her own. Fast Talking PI is structured in three sections, 'Tusitala (personal), 'Talkback' (political and historical) and 'Fast Talking PI' (already a classic). In poems like 'Guys Like Gauguin' she writes as a 'calabash breaker', fighting back against historic injustices; but in other poems she explores the idea of the calabash as the honoured vessel for identity and story. Ultimately, though, Marsh exhorts herself to 'be nobody's darling', as a writer she is a self-proclaimed 'darling in the margins', and Fast Talking PI proves it - a generous work that will thrill readers; 'a map in our arms / to get us over the reef'; and a tremendous first book.
Covers theory, practice and programming in Bayesian phylogenetics with BEAST. The why, how and what of BEAST 2.
A colossal jungle. Two suns. The sea on fire. If the mind were a place, what might it look like? Under Glass is an ambitious new collection by one of the most exciting young poets writing today. Gregory Kan's second book is a dialogue between a series of prose poems, following a protagonist through a mysterious and threatening landscape, and a series of verse poems, driven by the speaker's compulsive hunger to make sense of things. Kan's explorations of the outer and inner landscapes frequently cross paths but leave the reader in doubt—this is a collection full of maps and trapdoors, labyrinths and fragmented traces. Under Glass opens up new ways of telling stories while questioning the value of storytelling itself. Beautifully crystalline and emotionally powerful, this poetry collection takes readers on a journey that is frightening yet tender, imperfect but triumphant.
Pioneering New Zealand poet Jan Kemp's memoir of her first 25 years is a vivid and frank account of growing up in the 1950s, and of university life in the late 1960s and early 1970s. It tracks from an innocent Waikato childhood to the seedy flats of Auckland, where anarchic student life, drugs, sexual experimentation, and a failing marriage could not keep her away from poetry. She became one of the few young women poets of her era to be allowed into the then male poet club. Weaving its own patterns and colours, Raiment shines a clear-eyed light on the heady, hedonistic hothouse of our literary community in the 1970s and reveals what it took, back then, to be an independent woman.
A landmark anthology of creative work - poetry, fiction and essays - by emerging Asian New Zealand writers.This landmark collection of poetry, fiction and essays by emerging writers is the first-ever anthology of Asian New Zealand creative writing.A Clear Dawn presents an extraordinary new wave of creative talent. With roots stretching from Indonesia to Japan, from China to the Philippines to the Indian subcontinent, the authors in this anthology range from high school students to retirees, from recent immigrants to writers whose families have lived in New Zealand for generations.Some of the writers - including Gregory Kan, Sharon Lam, Rose Lu and Chris Tse - have published books; some, like...
This advanced graduate textbook gives an authoritative and insightful description of the major ideas and techniques of public key cryptography.
An extraordinary visual data book like no other. Clustered yet scattered, we New Zealanders live across the country's physical landscapes, experiencing its varied weather and environments. We co-create its political, economic and social systems on a daily basis. Each of us has a particular view of Aotearoa, yet nobody comprehends the whole. This book's sets of maps and graphics help New Zealanders make sense of their country, to grasp the scale, diversity and intricacies of Aotearoa, and to experience feelings of connection to land, to place, to this time in our history, and to one another. By making data visible, each graphic reveals insights about Aotearoa. They answer a range of questions: Who visits us? How many fish are in the sea? How equal are we? How do we hurt ourselves? Where do our cats go to at night? This compelling mixture of charts, graphs, diagrams, maps and illustrations is functional, beautiful, insightful and enlightening. It tells us where we are, here, in 2018. Essays by some of New Zealand's best thinkers complete the package.
An inspirational graphic memoir of growing up Pasifika in New Zealand, written and illustrated by our fast-talking PI Poet Laureate, Selina Tusitala Marsh. At school, Selina is teased for her big, frizzy hair. Kids call her 'mophead'. She ties her hair up this way and that way and tries to fit in. Until one day - Sam Hunt plays a role - Selina gives up the game. She decides to let her hair out, to embrace her difference, to be WILD! Selina takes us through special moments in her extraordinary life. She becomes one of the first Pasifika women to hold a PhD. She reads for the Queen of England and Samoan royalty. She meets Barack Obama. And then she is named the New Zealand Poet Laureate. She picks up her special tokotoko, and notices something. It has wild hair coming out the end. It looks like a mop. A kid on the Waiheke ferry teases her about it. So she tells him a story . . . This is an inspirational graphic memoir, full of wry humour, that will appeal to young readers and adults alike. Illustrated with wit and verve by the author - NZ's bestselling Poet Laureate - Mophead tells the true story of a New Zealand woman realising how her difference can make a difference.
Early Days Yet is a major publication in which the greatest of all New Zealand poets presents twelve previously uncollected poems that are strong, rich and brilliant. These poems lead off into the past and introduce readers to the poems published since 1970, in addition to a selection from the 40s, 50s and 60s. Vivid childhood memories predominate in the new poems but sharp contemporary concerns, satiric or tragic, are always present. Early Days Yet is an astounding and awe-inspiring volume with depths that no reader can readily exhaust or fully grasp. The poems collected in Early Days Yet won the New Zealand Book Award multiple times as well as the Dillons Commonwealth Poetry Prize.