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The Hudson's Bay Company is about to exercise its uncontested monopoly over the lands drained by Hudson Bay. The first step is to find a new source of beaver pelts and profits, and the only hope lies in the unmapped territory held by the Blackfoot-speaking Indian tribes. The new governor mounts an expedition into the heart of this unknown land, a journey that will test the mettle of a new generation of Hudson's Bay Company men. With a new format and price, this brilliant novel tells an incredible story of those who were ruled by the often brutalizing fur trade. It is a story of love and economics and of how European culture, including religion, tried-and often failed-to root itself in this anarchic place. In the end, it is the story of how the mighty fur trade was rolled under by the greater forces of change and history. Giller Prize finalist and winner fo the Grant MacEwan Author's Award winner, City of Edmonton Book Prize, and Georges Bugnet Award winner for best novel.
Meet Tyrone Lock: born of farmers' stock; overeducated, underemployed. An inveterate pick-nose and clandestine squeezer of Revels in the supermarket. Disaffected in a way that Adrian Mole would recognize (though as Tyrone takes pains to point out, he's hardly a tortured artist; his BA was in Economics). Inexplicably involved with the lovely, pampered Miss Athena Till. The young couple are preparing for their first trip abroad: the obligatory horizon-widening sojourn in Europe, the Land of the Forefathers and the Wellspring of Culture. Except that this is an excursion that Tyrone would do anything to get out of. His horizons are plenty broad, thank you very much, and he'd rather spend his day...
Who by Fire is a powerful, passionate novel about the march of "progress" and the environments, families, and ways of life destroyed in its wake. The heart of this moving story belongs to Tom Ryder--a man whose expectations for the future and assumptions about his own strength and power are persistently and devastatingly undermined by the arrival of a sour gas plant on the border of his southern Alberta farm in the early 1960s. The emissions from the plant poison not only his livestock but the relationships he has with his family, most especially with his wife, Ella. The family is left without viable legal recource against the plant, and Tom must watch his farm dwindle away, his sense of himself dwindling away with it. The novel moves into the present with the story of Tom's son, Bill, who reacts to his father's disappointments by rising through the managerial ranks of an oil company in Fort McMurray, hiding from his guilt in the local casino. Bill pushes himself towards a crisis in conscience through a relationship he has with a Native woman whose community is threatened by the actions of his company.
The Day I Sat On the Sun Deck is a funny, philosophical, sexy, sad and searching story that explores faith, the nature of belief, with the lightness of a meringue. When Jesus visits the hero of Sawai's most successful short story on a Monday morning in September 1972, they drink a glass of wine, spill some tea, talk about breasts. Then, his time is up. "That's what happened to me in Moose Jaw in 1972," she writes. "It was the main thing that happened to me that year."
The award-winning Western epic by "one of Canada's greatest living writers" (David Adams Richards) Lightning takes up where Fred Stenson's Giller-nominated and much-honoured novel, The Trade, left off. It is 1881, and the fur trade has been forced to make room for another economy. Seven thousand cattle are crossing the border from Montana into newly named Alberta. The openrange ranch era, Canadian style, is about to begin. Doc Windham, a Texan, is one of the cowboys trailing the herd.
This volume investigates the diverse applications and conceptions of the term ‘The Golden Age’. The phrase resonates with the theme of nostalgia, which is popularly understood as a wistful longing for the past, but which also denotes homesickness and the unrecoverability of the past. While the term ‘Golden Age’ typically conjures up idealised visions of the past and gestures forward to utopian visions of future golden ages, the idea of nostalgia is suggestive of a discontented present. The Golden Age and nostalgia are therefore related ideas, but are also partly in conflict with one another, as many nostalgic sentiments are not idealised, and may indeed be dark, ironic or self-aware....
Nationally and internationally acclaimed author Fred Stenson draws on a career of writing and mentoring to offer an engaging take on the craft in fiction.?Thing Feigned or Imagined?includes short fiction by award-winning Canadian authors Edna Alford, Greg Hollingshead, Diane Schoemperlen, Fred Stenson, and Rachel Wyatt.
This fourth volume of the History of the Prairie West Series contains fifteen articles examining the rich history of business and early industry in Canada's Prairie Provinces prior to the Great Depression. Without denying the central importance of agriculture in the development and growth of the early Prairie West, the essays in Business and Inudstry explore the lesser known history of some of the earliest businesses in the region. As we enter the second decade of the twenty-first century, a time when the three Prairie Provinces comprise the fastest-growing, and perhaps the most dynamic, economic regions in Canada, it may be worthwhile to cast our gaze back to an earlier and simpler era. In these essays, we can glimpse the origins of the entrepreneurial spirit and business ehtos that have come to define the business culture of the Prairie West.
As the first collection of literary criticism focusing on Alberta writers, Wild Words establishes a basis for identifying Alberta fiction, poetry, drama, and nonfiction as valid subjects of study in their own right. The idea for this collection began with 100 years of literary tradition for Alberta's centenary. However, Alberta's literary roots go back much farther than that to the oration of First Nation's peoples and the colonizing exploration and travel literature of the 18th and 19th centuries.
The first multi-genre historical anthology of Alberta writing since 1979, this long-overdue anthology explores what writers--past and present--can tell us about what it means to be Albertan--and Canadian.