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Sometimes poignant and sometimes slapstick, in this collection of Danish comics stories, Nuft and his family are pitted against prejudice, scheming slumlords and all-seeing robot overlords! This debut volume collects the stories "The Nufts Move In," in which the dragon family trades its rural ways for a new life in the big city - but the tenement they move into is not only falling apart, it's plagued by poltergeists! In "Trouble on George Street," Nuft gets a job at City Hall but quickly discovers that the whole thing is teetering on the verge of collapse! And in "The Great Technowhiz," the Technowhiz watches over all the city's functions - but who watches over the Technowhiz? Plus a special collector's bonus - Freddy Milton's very first 8-page Nuft tale. With personal commentary and insight by Freddy Milton
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When Ann Carpenter dies, her family is torn apart, and they grasp at anything to keep them afloat in her absence. It takes four years for her husband, Bobby "Carp" Carpenter, to come to his senses and try to bring his derailed family back together. But there are many challenges in the way of Carp and the success he would like to achieve. In those four years, Carp's two children decide they no longer want anything to do with him. His son, Ben, immerses himself in his studies. His daughter, Lisa, has filled the void left by a dead mother and an absent father with an older boy named Joe Don Hatch, who takes full advantage of her vulnerability. Carp struggles to get through to his children but must focus on other things when a bookie he placed bets with turns up dead. The police focus on Carp, accusing him of the murder. It's up to Davis, a longtime family friend and a Vietnam veteran, to rescue his beleaguered buddy and adopted family. But to do so, Davis must face off with both the law and the underground lords of illegal gambling.
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
Goodreads.com has declared that "eavesdropping on these personal reflections is entertaining, enlightening, and just plain fun to read," and indeed, throughout THE SPREE OF '83, Freddy recounts first-hand the highly-entertaining and emotionally-touching story behind his decades-long roller-coaster ride through the music business, and multiple trips to the top of the charts. He's equally open about his inspiring struggle in the years before his death in 2016 battling Parkinson's disease, all while his legacy endured, gaining new generations of fans over the Millennium. Hailed by Rolling Stone Country as "a freewheeling, often poignant oral history of one of the unsung heroes of Country Music,...
The Comics Journal, which is renowned for its in-depth interviews, comics criticism, and thought-provoking editorials, features Gary Groth in frank and often hilarious discussion with the satirist and children’s book author Tomi Ungerer. Ungerer talks about the entire trajectory of his life and career: growing up in France during the Nazi occupation, creating controversial work, and being blacklisted by the American Library Association. This issue, the first in its new twice-a-year format, covers the “new mainstream” in American comics ― how the marketplace and overall perception of the medium has drastically shifted since the “graphic novel boom” of the early 2000s and massive hits like Persepolis, Fun Home, and Smile. It also includes sketchbook pages from French-born cartoonist Antoine Cossé’ an introduction to homoerotic gag cartoons out of the U.S. Navy; and Your Black Friend cartoonist Ben Passmore’s examination of comics and gentrification.
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