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Liber Amicorum
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The Art of Eastern India, 300-800
The Art of Eastern India, 300–800 was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Though scholars have extensive knowledge of the art that flourished during Pala rule in Eastern India (ca. 800-1200), little is known about Eastern Indian art during the preceding 500 years. This half-millennium includes the period of the Gupta dynasty and the two centuries that bridge Gupta and Pala rule, when no single dynasty long maintained control of Eastern India. In this study, Frederick M. Asher challenges arthistorical assumptions ...
Nalanda
Since its inception in the 5th century CE, during Emperor Ashoka's reign, the ancient site of Nalanda has been a magnet for teachers, students and travelers from foreign lands, especially India s neighbors and lands further in Asia. The book will provide a history of Nalanda from ancient times to the present, examining the remains of the site's temples and monasteries as well as the stone and bronze sculptures excavated at Nalanda. In the course of presenting Nalanda, it will consider some of the myths associated with the monastery, for example, Ashoka's role in its establishment, the destruction of Nalanda by Bakhtiyar Khalji, the international character of the institution, and the modern conception of Nalanda as a university, one revived with the establishment of the Nava Nalanda Mahavihara and the new international Nalanda University.
Bodh Gaya
Bodh Gaya, one of the most important sacred Buddhist pilgrimage centre in the world, lies in Bihar, India.
Sarnath
The first analytical history of Sarnath, the place where the Buddha preached his first sermon and established the Buddhist monastic order. Sarnath has long been regarded as the place where the Buddha preached his first sermon and established the Buddhist monastic order. Excavations at Sarnath have yielded the foundations of temples and monastic dwellings, two Buddhist reliquary mounds (stupas), and some of the most important sculptures in the history of Indian art. This volume offers the first critical examination of the historic site. Frederick M. Asher provides a longue durée (long-term) analysis of Sarnath—including the plunder, excavation, and display of antiquities and the Archaeological Survey of India’s presentation—and considers what lies beyond the fenced-in excavated area. His analytical history of Sarnath’s architectural and sculptural remains contains a significant study of the site’s sculptures, their uneven production, and their global distribution. Asher also examines modern Sarnath, which is a living establishment replete with new temples and monasteries that constitute a Buddhist presence on the outskirts of Varanasi, the most sacred Hindu city.
Art of India
A superbly illustrated volume. From 3000BC to the present, a comprehensive history of the visual arts in India as they developed through time.
Archaeology of Religion in South Asia
In the religious landscape of early medieval (c. AD 600-1200) Bihar and Bengal, poly-religiosity was generally the norm than an exception, which entailed the evolution of complex patterns of inter-religious equations. Buddhism, Brahmanism and Jainism not only coexisted but also competed for social patronage, forcing them to enter into complex interactions with social institutions and processes. Through an analysis of the published archaeological data, this work explores some aspects of the social history of Buddhist, Brahmanical and Jaina temples and shrines, and Buddhist stūpas and monasteries in early medieval Bihar and Bengal. This archaeological history of religions questions many ‘established’ textual reconstructions, and enriches our understanding of the complex issue of the decline of Buddhism in this area. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
The Oxford Handbook of Religion and the Arts
This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.
