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Bodh Gaya
Bodh Gaya, one of the most important sacred Buddhist pilgrimage centre in the world, lies in Bihar, India.
Sarnath
The first analytical history of Sarnath, the place where the Buddha preached his first sermon and established the Buddhist monastic order. Sarnath has long been regarded as the place where the Buddha preached his first sermon and established the Buddhist monastic order. Excavations at Sarnath have yielded the foundations of temples and monastic dwellings, two Buddhist reliquary mounds (stupas), and some of the most important sculptures in the history of Indian art. This volume offers the first critical examination of the historic site. Frederick M. Asher provides a longue durée (long-term) analysis of Sarnath—including the plunder, excavation, and display of antiquities and the Archaeological Survey of India’s presentation—and considers what lies beyond the fenced-in excavated area. His analytical history of Sarnath’s architectural and sculptural remains contains a significant study of the site’s sculptures, their uneven production, and their global distribution. Asher also examines modern Sarnath, which is a living establishment replete with new temples and monasteries that constitute a Buddhist presence on the outskirts of Varanasi, the most sacred Hindu city.
Art of India
A superbly illustrated volume. From 3000BC to the present, a comprehensive history of the visual arts in India as they developed through time.
Nalanda
Since its inception in the 5th century CE, during Emperor Ashoka's reign, the ancient site of Nalanda has been a magnet for teachers, students and travelers from foreign lands, especially India s neighbors and lands further in Asia. The book will provide a history of Nalanda from ancient times to the present, examining the remains of the site's temples and monasteries as well as the stone and bronze sculptures excavated at Nalanda. In the course of presenting Nalanda, it will consider some of the myths associated with the monastery, for example, Ashoka's role in its establishment, the destruction of Nalanda by Bakhtiyar Khalji, the international character of the institution, and the modern conception of Nalanda as a university, one revived with the establishment of the Nava Nalanda Mahavihara and the new international Nalanda University.
The Art Museum
The Art Museum is the finest art collection ever assembled between two covers. This revolutionary and unprecedented virtual art museum in a book, features 1,000 oversized pages of over 2,500 works of art. It is the most comprehensive and visually spectacular history of world art ever published. Ten years in the making, this unique book was created with a global team of 100 specialists in art history, who have collected together important works as they might be displayed in the ideal museum for the art lover. Unrestricted by the constraints of physical space, this volume contains an unprecedented wealth of masterworks spanning three millennia and culled from 650 museums, galleries and private...
Garland of Visions
Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.
The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art
In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art
Asian Art History in the Twenty-first Century
This text explores the field of Asian art and its historiography, tensions, and possible future directions. It features essays by 14 leading authors specializing in Chinese, East Asian, Indian and Japanese art history, and considers what is meant by 'Asian art' and how it should be understood in relation to geopolitics.
The Indian Ocean Trade in Antiquity
The period from the death of Alexander the Great to the rise of the Islam (c. late fourth century BCE to seventh century CE) saw a significant growth in economic, diplomatic and cultural exchange between various civilisations in Africa, Europe and Asia. This was in large part thanks to the Indian Ocean trade. Peoples living in the Roman Empire, Parthia, India and South East Asia increasingly had access to exotic foreign products, while the lands from which they derived, and the peoples inhabiting these lands, also captured the imagination, finding expression in a number of literary and poetic works. The Indian Ocean Trade in Antiquity provides a range of chapters that explore the economic, p...
