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Catherine Helen Spence, an unparalleled advocate of women's rights in Australia and the world, is now recognized as an important predecessor to the Feminist movement. Her autobiography, composed while on her deathbed and enhanced with scholarly annotation from two Spence scholars, reveals a woman both in and ahead of her time.
Both travel and translation involve a type of journey, one with literal and metaphorical dimensions. Judith Johnston brings together these two richly resonant modes of getting from here to there as she explores their impact on culture with respect to the work of Victorian women. Using the metaphor of the published journey, whether it involves actual travel or translation, Johnston focusses particularly on the relationships of various British women with continental Europe. At the same time, she sheds light on the possibility of appropriation and British imperial enhancement that such contact produces. Johnston's book is in part devoted to case studies of women such as Sarah Austin, Mary Busk,...
In a wide-ranging series of introductory essays written by some of the leading figures in the field, this book is one of the most comprehensive and up-to-date guides on the diverse and murky world of the gothic in literature, film and culture.
The Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.
His Natural Life has retained Australian classic status for over one hundred years. Scarcely ever out of print since first written during the early 1870s, it has provided successive generations with a vivid account of a brutal phase of colonial life. The main focus of this great convict novel is the complex interaction between those in power and those who suffer, made meaningful because of its hero's struggle against the destructiveness of his wrongful imprisonment. While much of the story is necessarily grim, Marcus Clarke has used elements of romance, incidents of family life and passages of scenic description to both relieve and give emphasis to the tragedy that forms its heart.
Catherine Helen Spence was a charismatic public speaker in the late nineteenth century, a time when women were supposed to speak only at their own firesides. She was carving a new path into the world of public politics along which other women would follow, in the first Australian colony to win votes for women.
In this inspiring autobiography, Catherine Helen Spence's remarkable life as a Scottish-born Australian author, politician, and suffragist is brought to vivid life. Spence's tireless advocacy for women's rights and proportional representation is chronicled, as is her status as the first female political candidate in Australia. A true trailblazer, Spence's work is a testament to the power of perseverance and dedication to one's beliefs. Her achievements, which earned her the title "Greatest Australian Woman" and a place on the five-dollar note, continue to inspire readers today. This book is a must-read for anyone interested in the history of women's rights and political activism.
Robert Holden enters the bunyips lair to reveal the fascinating literature, folklore and superstitions that have immortalised Australia's most enigmatic creature. Bunyips includes extracts from Australian stories about bunyips, featuring work by Edel Wignell, Rosa Campbell Praed, Catherine Stow, Dal Stivens and others.