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Bearing the Unbearable
This book is a pioneering study of Yiddish and Polish-Jewish concentration camp and ghetto poetry. It reveals the impact of the immediacy of experience as a formative influence on perception, response, and literary imagination, arguing that literature that is contemporaneous with unfolding events offers perceptions different from those presented after the fact. Documented here is the emergence of poetry as the dominant literary form and quickest reaction to the atrocities. The authors shows that the mission of the poets was to provide testimony to their epoch, to speak for themselves and for those who perished. For the Jews in the condemned world, this poetry was a vehicle of cultural sustenance, a means of affirming traditional values, and an expression of moral defiance that often kept the spirit of the readers from dying. The explication of the poetry (which has been translated by the author) offer challenging implications for the field of critical theory, including shifts in literary practices—prompted by the growing atrocities—that reveal a spectrum of complex experimental techniques..
Israel's Failed Response to the Armenian Genocide
When the Turkish government demanded the cancellation of all lectures on the Armenian Genocide at Israel's First International Conference on the Holocaust and Genocide, and that Armenian lecturers not be allowed to participate, the Israeli government followed suit. This book follows the author’s gutsy campaign against his government and his quest to successfully hold the conference in the face of censorship. A political whodunit based on previously secret Israel Foreign Ministry cables, this book investigates Israel’s overall tragically unjust relationship to genocides of other peoples. The book also closely examines the figures of Elie Wiesel and Shimon Peres in their interference with ...
Teaching and Studying the Holocaust
(Originally Published in 2000 by Allyn & Bacon) Teaching and Studying the Holocaust is comprised of thirteen chapters by some of the most noted Holocaust educators in the United States. In addition to chapters on establishing clear rationales for teaching this history and Holocaust historiography, the book includes individual chapters on incorporating primary documents, first person accounts, film, literature, art, drama, music, and technology into a study of the Holocaust. It concludes with an extensive and valuable annotated bibliography especially designed for educators. Chapter Ten instructs how to make effective use of technology in teaching and learning about the Holocaust. The final s...
Flames from the Earth
An emotionally powerful, poetic Yiddish novel, available in English for the first time, that expands our understanding of Holocaust literature and testimony Flames from the Earth: A Novel from the Łódź Ghetto is an autobiographical novel written by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust. Originally published in Israel in 1966, the novel brings together material that Spiegel wrote while imprisoned in the Łódź Ghetto, which he recovered from a cellar when he returned from Auschwitz after the war. The only works by Spiegel previously available to English readers have been short stories. In this, his first novel, Spiegel explores a complex web of c...
Poetry as Testimony
This book analyzes Holocaust poetry, war poetry, working-class poetry, and 9/11 poetry as forms of testimony. Rowland argues that testamentary poetry requires a different approach to traditional ways of dealing with poems due to the pressure of the metatext (the original, traumatic events), the poems’ demands for the hyper-attentiveness of the reader, and a paradox of identification that often draws the reader towards identifying with the poet’s experience, but then reminds them of its sublimity. He engages with the work of a diverse range of twentieth-century authors and across the literature of several countries, even uncovering new archival material. The study ends with an analysis of the poetry of 9/11, engaging with the idea that it typifies a new era of testimony where global, secondary witnesses react to a proliferation of media images. This book ranges across the literature of several countries, cultures, and historical events in order to stress the large variety of contexts in which poetry has functioned productively as a form of testimony, and to note the importance of the availability of translations to the formation of literary canons.
Women Writers of Yiddish Literature
Taking stock of Yiddish literature in 1939, critic Shmuel Niger highlighted the increasing number and importance of women writers. However, awareness of women Yiddish writers diminished over the years. Today, a modest body of novels, short stories, poems and essays by Yiddish women may be found in English translation online and in print, and little in the way of literary history and criticism is available. This collection of critical essays is the first dedicated to the works of Yiddish women writers, introducing them to a new audience of English-speaking scholars and readers.
Perspectives on the Holocaust
The number of books and articles dealing with various aspects of World War II has increased at a phenomenal rate since the end of the hostilities. Perhaps no other chapter in this bloodiest of all wars has received as much attention as the Holo caust. The Nazis' program for the "Final Solution of the Jewish Question" - this ideologically conceived, diabolical plan for the physicalliquidation of European Jewry - has emerged as a subject of agonizing and intense interest to laypersons and scholars alike. The centrality of the Holocaust in the study of the Third Reich and the Nazi phenomenon is almost universally recognized. The source materials for many of the books published during the immedi...
The Object of Jewish Literature
A history of modern Jewish literature that explores our enduring attachment to the book as an object With the rise of digital media, the "death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge. The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.
Speaking Silences
The loss of a public voice has implications for both the dominant and the dominated culture.
