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As Mr. Smith has noted in the Introduction to this work, "There is little so rare in German-American genealogy as a complete emigrant passenger list from Bremen." As most researchers know, the Bremen lists were destroyed during the fire storm of that city during World War II. In the case of this work, however, Mr. Smith was able to recover fourteen Bremen lists because they had been reprinted in the obscure weekly newspaper from Rudolstadt, Thuringia, entitled the "Allgemeine Auswanderungs-Zeitung" (which can be found in the rare-book collection at Yale University). The compiler has transcribed the names of all persons bound for America from each of the fourteen lists. The emigrants, who are arranged alphabetically, are identified by place of origin and sometimes by the number of persons in the passenger's family or the names of traveling companions.
Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.
More than 850 individuals partly forgotten by name, but sometimes found in historical writings, together with many well known or recently deceased persons are presented in terms of bio-data, short career highlights, and main advances made to the profession with a short biography of the main writings. If available, a portrait is also included.
Includes entries for maps and atlases.
This volume presents 50 peer-reviewed papers presented at the Sixth Annual Conference of the Construction History Society held at Queens' College Cambridge from 5-7 April 2019 which cover a wide variety of topics on aspects of construction history with a section devoted entirely to papers on water engineering.
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