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Hugo von Hofmannsthal had a lifelong fascination with the theatrum mundi topos. Judith Beniston analyses his changing responses to it against an unfamiliar backdrop - the revival of Catholic drama which, from the 1890s onwards, accompanied the rise of Austria's Christian Social party. The solipsism of `Jung Wien' and the conservative modernism of the Salzburg Festival are juxtaposed with the career of Richard von Kralik (1852-1934), the key figure in Austria's Catholic literary culture from 1890 to 1934. This study offers close readings of Das kleine Welttheater and Das Salzburger grosse Welttheater, and explores the ramifications of the fascination with the notion of Welttheater which Hofmannsthal and Kralik shared. In juxtaposing elite and popular culture, Beniston sheds new light on a neglected aspect of Austrian cultural history, on the selectivity of Hofmannsthal's approach towards Austria's Baroque tradition, and on the difficulties he faced in his attempt to assimilate his own work into it.
Most American Catholics are familiar with St. Katharine Drexel, St. John Neumann, St. Kateri Tekakwitha and Ven. Fulton Sheen. But have how many have heard of Bl. Lucas Tristany? Or Ven. Solanus Casey? Or Ven. Theresa Dudzik? Or Servant of God Gwen Coniker? The American Martyrologyhelps the faithful recall the heroic lives and deaths of dozens of men and women of God with strong connections to the United States. Arranged in calendar form, the Martyrology is, in effect, a catalog of national sanctity which assists the faithful to remember those who have died with a reputation for holiness and encourages us to "private devotion toward the Servant of God and the spontaneous spreading of his rep...
This study will not concentrate on disputable theories, rather it will present the history of the author, and a commentary on the Book of Matthew. God's Word is alive and it is all we need to understand His Word for the Word explains itself. There is no great mystery to the scriptures, they are for all to acknowledge and understand by the Holy Spirit.
Martyrdom, Murder, and Magic: Child Saints and Their Cults in Medieval Europe is a comprehensive history of child saints and their cults from late Antiquity to the end of the fifteenth century. The child martyrs of the persecutions, including the Holy Innocents, were the first child saints recognized by the Church and their cults spread throughout Europe in the early Middle Ages. Alongside these cults, medieval society also venerated child «martyrs», victims of political or domestic violence. The increasing role of the papacy in the canonization process after the tenth century resulted in the veneration of saintly child confessors in the high Middle Ages, but from the end of the twelfth century, most children worshipped as saints were the alleged victims of ritual murder by Jews. This book considers the formation and transformation of child saints and their cults in the context of popular belief and the history of childhood.
Includes music (unaccompanied melodies)