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Landscapes of Resistance
This study traces the career of the two filmmakers, Daniele Huillet and Jean-Marie Straub, and explores their connection to German modernism, in particular their relationship to the Frankfurt School.
Harrison Birtwistle Studies
This collection represents current research on Birtwistle's music, reflecting the diversity of his work through a wide range of perspectives.
Medieval Gardens
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New Music, New Allies
New Music, New Allies documents how American experimental music and its practitioners came to prominence in the West German cultural landscape between the end of the Second World War in 1945 and the reunification of East and West Germany in 1990. Beginning with the reeducation programs implemented by American military officers during the postwar occupation of West Germany and continuing through the cultural policies of the Cold War era, this broad history chronicles German views on American music, American composers’ pursuit of professional opportunities abroad, and the unprecedented dissemination and support their music enjoyed through West German state-subsidized radio stations, new music festivals, and international exchange programs. Framing the biographies of prominent American composer-performers within the aesthetic and ideological contexts of the second half of the twentieth century, Amy C. Beal follows the international careers of John Cage, Henry Cowell, Earle Brown, Morton Feldman, David Tudor, Frederic Rzewski, Christian Wolff, Steve Reich, Pauline Oliveros, Conlon Nancarrow, and many others to Donaueschingen, Darmstadt, Cologne, Bremen, Berlin, and Munich.
A New Song We Now Begin
We tend to remember hymns one at a time. They color our lives, transmit our theology, and form our faith. We forget that the reason we can do so is because they have been made available throughout the centuries in hymnals. This edited collection explores the 500-year tradition of Lutheran hymnal production, illustrating how these books have influenced Lutheran faith and worship practice over time. Editor Robin A. Leaver has assembled a notable team of contributors from across the wider Lutheran church. Each chapter draws readers into the history and contributions of one or more landmark hymnals, ranging from the first books published during Luther's lifetime to volumes that have shaped the dimensions of the contemporary Lutheran church in the United States. Chapter authors include Leaver, Paul Grime, Markus Rathey, Joseph Hurl, Dianne M. McMullen, Jon D. Vieker, Paul Westermeyer, Mark A. Granquist, Daniel Zager, and Gracia Grindal.
Interart Poetics
An anthology containing 28 essays devoted to the interrelations between the arts and media. Contributions promote interdisciplinary strategies in the study of such traditional arts as dance, literature, music, and theater, as well as more modern media such as film, television, and computer-generated art. Annotation copyrighted by Book News, Inc., Portland, OR
Perspectives on the Music of Christopher Fox
Christopher Fox (1955) has emerged as one of the most fascinating composers of the post-war generation. His spirit of experimentalism pervades an oeuvre in which he has blithely created his own version of a range of contemporary musical practices. In his work many of the major expressions of European cultural activity - Darmstadt, Fluxus, spectralism, postminimalism and more - are assimilated to produce a voice which is uniquely resonant and multifaceted. In this, the first major study of his work, musicologists, composers, thinkers and practitioners scrutinize aspects of Christopher Fox's music, each exploring elements that relate to their own distinct areas of practice, tracing Fox's compositional trajectory and situating it within post-war contemporary European music practice. Above all this book addresses the question: How can one person dip his fingers into so many paint pots and yet retain a coherent compositional vision? The range of Fox's musical concerns make his work of interest to anyone who wants to study the development of so-called new music spanning the latter twentieth century into the twenty first century.
French Opera 1730-1830: Meaning and Media
The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume. Drawing on recent archival research and new musicological theory, they investigate distinctive qualities in French opera from early opéra comique to early grand opera. ’Media’ is interpreted in terms of both narrative systems and practical theatre resources. One group of essays identifies narrative systems in ’minuet-scenes’, in the diegetic romance, and in special uses of musical motives. Another group concerns the theory and æsthetics of opera, in which uses of metaphor help us interpret audience reception. A third group focuses on orchestral and staging pr...
