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Theory and Practice in Eighteenth-Century Dance
This book is about the intersection of two evolving dance-historical realms—theory and practice—during the first two decades of the eighteenth century. France was the source of works on notation, choreography, and repertoire that dominated European dance practice until the 1780s. While these French inventions were welcomed and used in Germany, German dance writers responded by producing an important body of work on dance theory. This book examines consequences in Germany of this asymmetrical confrontation of dance perspectives. Between 1703 and 1717 in Germany, a coherent theory of dance was postulated that called itself dance theory, comprehended why it was a theory, and clearly, ration...
Renaissance Rhetoric Short-title Catalogue 1460-1700
The most accurate inventory of Renaissance rhetoric yet attempted, this substantially revised and expanded volume provides a complete list of the printed sources for study of the pervasive influence of rhetoric on Renaissance culture. It includes 1,717 authors and 3,842 rhetorical titles in 12,325 printings, published in 310 towns and cities by 3,340 printers and publishers from Finland to Mexico prior to 1700. The catalogue is presented in alphabetical order by author surnames, with place, printer, date, and library locations for each publication. An extensive introduction explores the state of bibliography in Renaissance rhetoric today.
The Allure of the Ancient
How was the ancient Middle East—including Egypt, Babylonia, and Persia— imagined and employed for artistic, scholarly, and political purposes in Europe, the Caribbean, and Latin America, circa 1600–1800 ?
The Shaping of America
A critique of American ideas. The first half of the book deals with how America became the nation that it is; the second half suggests how it could become the nation that it should be. "Every Christian interested in the welfare of his or her country should read this excellent volume." (Robert G. Clouse, Department of History, Indiana State University)
Collaborative Creative Thought and Practice in Music
The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social construct. While in collectivist cultures the assimilation (but not the denial) of individual authorship into the complexities of group production and benefit has been a feature, the notion of the lone individual creator has been persistent. Systems theories acknowledge the role of others, yet at heart these are still individual views of creativity - focusing on the creative individual drawing upon the work of others rather than recognizing the mutually constitutive elements of social interactions across time and space. Focusing on the ...
Bibliography of the Exact Sciences in the Low Countries from ca. 1470 to the Golden Age (1700)
In this bibliography of the exact sciences in the Low Countries, Klaas Hoogendoorn gives a detailed analytical description by autopsy of all printed books published by scientists associated with the Low Countries from ca. 1470 to the Golden Age (1700). The books' locations are given, along with secondary bibliographical sources and concise biographies of the authors. Includes indexes of the editions by subject, printer/publisher and person. Along with books on subjects including mathematics, physics, military science and navigation, the second part describes all known almanacs and prognostications for the period, providing the most complete survey yet available. It is a thoroughly revised and expanded update of D. Bierens de Haan’s Bibliographie néerlandaise historique-scientifique ... (Rome, 1883) up to about 1700.
The Emergence of Impartiality
This volume exposes the contested history of a virtue so central to modern disciplines and public discourse that it can seem universal. The essays gathered here, however, demonstrate the emergence of impartiality. From the early seventeenth century, the new epithet ‘impartial’ appears prominently in a wide range of publications. Contributors trace impartiality in various fields: from news publications and polemical pamphlets to moral philosophy and historical dictionaries, from poetry and drama to natural history, in a broad European context and against the backdrop of religious and civil conflicts. Cumulatively, the volume suggests that the emergence of impartiality is implicated in the period’s epochal shifts in epistemology and science, religious and political discourse, print culture, and scholarship. Contributors include: Jörg Jochen Berns, Tamás Demeter, Derek Dunne, Anne Eusterschulte, Christine Gerrard, Rainer Godel, N.J.S. Hardy, Rhodri Lewis, Hanns-Peter Neumann, Joad Raymond, Bernd Roling, Bastian Ronge, Richard Scholar, Nathaniel Stogdill, Anita Traninger, and Anja Zimmermann.
Publishing in the Republic of Letters
This book prints for the first time two remarkable interlocking sequences of letters between Paris and the Netherlands: 40 letters from Gilles Ménage in Paris to Johann-Georg Grævius in Utrecht, and 30 from the printer Henrik Wetstein, in Amsterdam, to Ménage. Their principal focus is the publication of a considerable number of Ménage’s works outside France, above all his monumental edition of Diogenes Laertius’s Lives of the Philosophers. The letters give an engaging picture of mutual help within the community of scholars, Dutch, German, English, and French, including Huguenot exiles like Le Clerc and Bayle. Ménage’s are full of information from Paris; while Wetstein’s, forthri...
Atmosphere and Aesthetics
This book provides a presentation of the concept of “atmosphere” in the realm of aesthetics. An “atmosphere” is meant to be an emotional space. Such idea of “atmosphere” has been more and more subsumed by human and social sciences in the last twenty years, thereby becoming a technical notion. In many fields of the Humanities, affective life has been reassessed as a proper tool to understand the human being, and is now considered crucial. In this context, the link between atmospheres and aesthetics becomes decisive. Nowadays, aesthetics is no longer only a theory of art, but has recovered its original vocation: to be a general theory of perception conceived of as an ordinary experience of pre-logical character. In its four parts (Atmospheric turn?, Senses and Spaces, Subjects and Communities, Aesthetics and Art Theory), this volume discusses whether atmospheres could take the prominent and paradigmatic position previously held by art in order to make sense of such sensible experience of the world.
The Primacy of the Postils
Drawing on an extensive collection of Catholic, Lutheran, and Calvinist sermon collections (postils), this book offers the first comprehensive, systematic presentation of standard preaching texts in early modern Germany including their creation, print production, use, and censorship.
