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The early twentieth century brought about the rejection by physicists of the doctrine of determinism - the belief that complete knowledge of the initial conditions of an interaction in nature allows precise and unambiguous prediction of the outcome. This book traces the origins of a central problem leading to this change in viewpoint and paradoxes raised by attempts to formulate a consistent theory of the nature of light. It outlines the different approaches adopted by members of different national cultures to the apparent inconsistencies, explains why Einstein's early (1905) attempt at a resolution was not taken seriously for fifteen years, and describes the mixture of ideas that created a ...
Vital Forces tells the history of the 'biochemical revolution', a period of unprecedentedly rapid advance in human knowledge that profoundly affected our view of life and laid the foundation for modern medicine and biotechnology. The story is told in a clear, engaging, and absorbing manner. This delightful work relates the fascinating and staggering advances in concepts and theories over the last 200 years and introduces the major figures of the times. Vital Forces also describes the discovery of the molecular basis of life through the stories of the scientists involved, including such towering figures as Louis Pasteur, Gregor Mendel, Linus Pauling, and Francis Crick. Combining science and biography into a seamless chronological narrative, the author brings to life the successes and failures, collaborations and feuds, and errors and insights that produced the revolution in biology. - Vividly describes dramatic scientific discoveries, personalities, feuds and rivalries - Answers a general readers quest to understand the nature of life, and the relevance of biochemistry/molecular biology to modern medicine, industry and agriculture
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Following the author's acclaimed biographical dictionaries on Schubert and Mozart, 'Beethoven and His World' offers an extremely comprehensive and up-to-date survey of the composer's relations with a multitude of persons with whom he associated on a personal or professional basis: relatives,friends, acquaintances, librettists, poets, publishers, artists, patrons, and musicians. With more than 450 entries, the dictionary is the result of a wide-ranging examination of primary and secondary sources, and critically assesses the use which scholars have made of the considerabledocumentation now available. In particular, there are numerous references to Beethoven's correspondence and conversation books, which have recently been published in excellent new editions. The book places the composer and his music in a fuller context and a wider perspective than might bepossible in a traditional biography; it will appeal to all music lovers, both the scholar and the non-specilaist alike.
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