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In the 17th century, critics of John Milton observed that in Paradise Lost, Lucifer steals the show. The same thing holds true today. We begin with a fanciful tale of God and Satan. What follows is a collection of true stories about Societys roguesthe flimflam artists, whores, painted ladies, voodoo queens, and honky-tonk angels that inhabit the world. We depict the lives of a few favorites among these captivating, infuriating, (sometimes) horrifying, and larger than life frauds.
By the author of the international Number One bestsellers KILLERS OF THE FLOWER MOON and THE WAGER ‘Chilling . . . Poignant . . . Haunting and gripping . . . gets into worlds that are otherwise invisible to us’ Daily Mail A Polish detective tries to determine whether an author planted clues to a real murder in his post-modern novel An arson investigator races to prove whether a man about to be executed is innocent Scientists stalk a sea monster … In this engrossing collection, David Grann sets out to unravel the truth of twelve great, real-life mysteries. Each of these mesmerising stories is true; the protagonists are mortal and pieces of the puzzle often elude them. Some of the characters are driven by deception and murder. Others go mad. After all, as Holmes puts it, ‘Life is infinitely stranger than anything which the mind of man could invent.’
Most of us are conscious of having a single and stable self, but the self is more fragmented and plastic than we care to think. David Berliner explores the captivating world of identity through an array of astonishing experiences. From Napoleon doppelgangers to Philip Roth's alter-ego Nathan Zukerman and Wonder Woman cosplayers to anthropologists going native, he delves into the kaleidoscopic nature of the self and attempts to understand the heterogenous nature of identity. But Becoming Other also discusses a great cultural controversy of our time: who has the right to play at being whom?
This new book by the well-known anthropologists Jean and John L. Comaroff explores the global preoccupation with criminality in the early twenty-first century, a preoccupation strikingly disproportionate, in most places and for most people, to the risks posed by lawlessness to the conduct of everyday life. Ours in an epoch in which law-making, law-breaking, and law-enforcement are ever more critical registers in which societies construct, contest, and confront truths about themselves, an epoch in which criminology, broadly defined, has displaced sociology as the privileged means by which the social world knows itself. They also argue that as the result of a tectonic shift in the triangulatio...
HOW WELL CAN A MOTHER EVER REALLY KNOW HER CHILD? Julian and Annie have only just announced their forthcoming marriage when Annie’s twelve-year-old son, Dan, fails to come home from school. Despite an extensive police investigation, the days turn into weeks and it is as if Dan has vanished into thin air. Over the next three years Annie refuses to give up hope that somewhere her son is alive and will one day return home. Julian, meanwhile, can’t help but yearn for Annie to put the past behind her and move on. Then, out of the blue, a call brings shocking news of Dan’s fate. And far from being over, it seems the mystery of his disappearance is only just beginning. In spare, searing prose, Deceptions addresses our simultaneous need for—and wariness of—human connection and the extremes that we are driven to by these competing impulses. Marking British literary star Rebecca Frayn’s arrival in the United States, this is fiction at its riveting best.
Trilbee is an amateur online film critic. He may love the medium, but that doesn't mean he's easy to impress. His first book 'At the Movies with Trilbee: A Year in Film' has Trilbee review more than 70 movies from 2012. Including: Avengers Assemble, Skyfall, The Dark Knight Rises, The Amazing Spider-Man, Chronicle, Twilight: Breaking Dawn Part 2, The Hobbit, The Hunger Games, Ice Age 4, Brave, Ted, Men in Black 3, The Imposter, Dredd, Prometheus, Life of Pi, Looper and many many more! All these reviews offer in-depth, insightful and honest analysis and gives the reader a comprehensive guide for what movies to watch (and avoid) from one of the biggest years in movie history! Featuring artwork by Jack Evans - http: //moonmen.wix.com/flippedhyenacartoo
Bringing new research from true crime writers, scholars, and media practitioners around the world, this book offers fresh perspectives on how women read, write, and are portrayed in true crime stories across different platforms, including documentaries, podcasts, and TikToks. The genre of true crime is flourishing, and it is overwhelmingly consumed by women. Despite this, there is much we do not know about how women consume true crime and are represented in true crime stories of various kinds. This edited volume helps to fill this gap in our knowledge. Across ten chapters and using a variety of study methods, including creative practice, interviews, surveys, archival research, and case studi...
This book is an introduction to the art and craft of documentary filmmaking with a focus on ethics and impact from development through distribution. Author Shannon Walsh explores point-of-view storytelling, writing for nonfiction, and the art of social change documentary. Offering an overview of the documentary filmmaking process – from idea to pitch to a final film and impact campaign – this book provides nonfiction filmmakers with the methods required to find a voice, style, and cinematic approach to documentary filmmaking. Key areas covered include definition of styles and genres of documentary film; project development and proposal writing; basic elements of documentary storytelling ...
Theorization of sensual desire was not uncommon in the eighteenth century; like many materialists of the French Enlightenment, Jean-Jacques Rousseau rejected imperatives founded on metaphysical suppositions and viewed the senses as the only valid source of philosophical knowledge. In Social Contract, Masochist Contract, Fayçal Falaky demonstrates that what distinguishes Rousseau is that the foundational measure on which he bases his materialist philosophy is a sexual instinct endowed, paradoxically, with the same sublime, self-abnegating attributes historically associated with Christian, metaphysical desire. To understand the aesthetics of Rousseau's masochism is, Falaky argues, to understand how ideals of Christian morality and spiritual ennoblement survived the Enlightenment, and how God died, only to be repackaged in new fetishes. Whether it is the imperious mistress of his erotic fantasies, the Arcadian nature of his philosophical reveries, or the sublime Law designed to elevate the citizen from enslaving appetite, Rousseau's fetishes herald the new regulative Ideals of the modern secular state.
How popular films from Memento to Slumdog Millionaire can help us understand how memory works. In the movie Slumdog Millionaire, the childhood memories of a young game show contestant trigger his correct answers. In Memento, the amnesiac hero uses tattoos as memory aids. In Away from Her, an older woman suffering from dementia no longer remembers who her husband is. These are compelling films that tell affecting stories about the human condition. But what can these movies teach us about memory? In this book, John Seamon shows how examining the treatment of memory in popular movies can shed new light on how human memory works. After explaining that memory is actually a diverse collection of i...