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Destruction and Its Impact on Ancient Societies at the End of the Bronze Age
This volume offers a groundbreaking reassessment of the destructions that allegedly occurred at sites across the eastern Mediterranean at the end of the Late Bronze Age, and challenges the numerous grand theories that have been put forward to account for them. The author demonstrates that earthquakes, warfare, and destruction all played a much smaller role in this period than the literature of the past several decades has claimed, and makes the case that the end of the Late Bronze Age was a far less dramatic and more protracted process than is generally believed.
The Etruscan World
The Etruscans can be shown to have made significant, and in some cases perhaps the first, technical advances in the central and northern Mediterranean. To the Etruscan people we can attribute such developments as the tie-beam truss in large wooden structures, surveying and engineering drainage and water tunnels, the development of the foresail for fast long-distance sailing vessels, fine techniques of metal production and other pyrotechnology, post-mortem C-sections in medicine, and more. In art, many technical and iconographic developments, although they certainly happened first in Greece or the Near East, are first seen in extant Etruscan works, preserved in the lavish tombs and goods of E...
Power and Pathos
For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on...
Metallurgy
Prof. James D. Muhly has enjoyed a distinguished career in the study of ancient history, archaeology, and metallurgy that includes an emeritus professorship at the University of Pennsylvania and a term as director of the American School of Classical Studies at Athens as well as receiving the Archaeological Institute of America's Pomerance Award for Scientific Contributions to Archaeology. In Muhly's honor, a total of 38 eminent scholars have contributed 30 articles that include topics on Bronze and Iron Age metallurgy around the Eastern Mediterranean in such places as Crete, the Cyclades, Cyprus, and Turkey.
The Etruscans
"Between c. 900-400 BC the Etruscans were the innovative, powerful, wealthy, and sophisticated elite of Italy. Their archaeological record is both substantial and fascinating, including tomb paintings, sculpture, jewellery, and art."
Science for Cultural Heritage
Archaeological and archaeometric data in the study of the athlete of Croatia / M. Michelucci -- Ion beam techniques for analysis of cultural heritage objects : collaboration between the Ruder Bos̮ković Institute and the Croatian Conservation Institute / S. Fazinić [und weitere] -- Study by mobile non-destructive testing of the bronze statue of the "Satiro" of Marsala / G. Guida [und weitere] -- Archaeometric Measurements with PIXE in Slovenia / Z̮. S̮mit -- In situ chemical composition analysis of cultural heritage objects using portable x-ray fluorescence spectrometry / D. Wegrzynek [und weitere] -- Integrated geophysical techniques for the high-resolution study of archaeological sites...
Etruscan Civilization
This comprehensive survey of Etruscan civilization, from its origin in the Villanovan Iron Age in the ninth century B.C. to its absorption by Rome in the first century B.C., combines well-known aspects of the Etruscan world with new discoveries and fresh insights into the role of women in Etruscan society. In addition, the Etruscans are contrasted to the Greeks, whom they often emulated, and to the Romans, who at once admired and disdained them. The result is a compelling and complete picture of a people and a culture. This in-depth examination of Etruria examines how differing access to mineral wealth, trade routes, and agricultural land led to distinct regional variations. Heavily illustrated with ancient Etruscan art and cultural objects, the text is organized both chronologically and thematically, interweaving archaeological evidence, analysis of social structure, descriptions of trade and burial customs, and an examination of pottery and works of art.
The Archaeology of Mediterranean Prehistory
This book offers a comprehensive introduction to the archaeology of Mediterranean prehistory and an essential reference to the most recent research and fieldwork. Only book available to offer general coverage of Mediterranean prehistory Written by 14 of the leading archaeologists in the field Spans the Neolithic through the Iron Age, and draws from all the major regions of the Mediterranean's coast and islands Presents the central debates in Mediterranean prehistory---trade and interaction, rural economies, ritual, social structure, gender, monumentality, insularity, archaeometallurgy and the metals trade, stone technologies, settlement, and maritime traffic---as well as contemporary legacies of the region's prehistoric past Structure of text is pedagogically driven Engages diverse theoretical approaches so students will see the benefits of multivocality
Monumenta graeca et romana: Civil and military architecture
The Villanovan and Etruscan collections of the Detroit Institute of Arts not only represent an important source of Classical Antiquity in the United States, but also serve as a historical model of how such artifacts were acquired by large American museums from the late-nineteenth through mid-twentieth centuries. These collections provide museum visitors, scholars, and students with an indepth view into one of antiquity's most fascinating peoples, the Etruscans and their predecessors. The wide-ranging collections contain artifacts from every aspect of Etruscan life such as utilitarian tools and weapons, objects for personal adornment, votive statuettes, and cinerary urns to house the dead. One statuette, the Detroit Rider, is considered to be among the finest surviving examples of Etruscan small sculpture. The catalogue brings together all of these pieces for the first time with photographs and relevant bibliographic sources on their cultural and religious functions in antiquity.
Deliciae Fictiles V. Networks and Workshops
Temples are the most prestigious buildings in the urban landscape of ancient Italy, emerging within a network of centres of the then-known Mediterranean world. Notwithstanding the fragmentary condition of the buildings’ remains, these monuments – and especially their richly decorated roofs – are crucial sources of information on the constitution of political, social and craft identities, acting as agents in displaying the meaning of images. The subject of this volume is thematic and includes material from the Eastern Mediterranean (including Greece and Turkey). Contributors discuss the network between patron elites and specialized craft communities that were responsible for the sophist...
