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The first book that compares the Confederate South and Southern Italy in two contemporaneous civil wars during 1861-1865.
Museums and Photography combines a strong theoretical approach with international case studies to investigate the display of death in various types of museums—history, anthropology, art, ethnographic, and science museums – and to understand the changing role of photography in museums. Contributors explore the politics and poetics of displaying death, and more specifically, the role of photography in representing and interpreting this difficult topic. Working with nearly 20 researchers from different cultural backgrounds and disciplines, the editors critically engage the recent debate on the changing role of museums, exhibition meaning-making, and the nature of photography. They offer new ways for understanding representational practices in relation to contemporary visual culture. This book will appeal to researchers and museum professionals, inspiring new thinking about death and the role of photography in making sense of it.
This book offers a ground-breaking approach to royalism and popular politics in Europe and the Americas during the Age of Revolutions. It shows how royalist and counterrevolutionary movements did not propose a mere return to the past, but rather introduced an innovative way of addressing the demands and expectations of various social groups. Ordinary people were involved in the war and adapted the traditional imaginary of the monarchy to craft new models of political participation. This edited collection brings together scholars from France, Spain, Norway, and Mexico, to provide a transatlantic comparative perspective. It is a must-read for scholars and students looking to discover the lesser-known side of the Age of Revolutions, and the motivations of those who fought in the name of the king.
In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)
Varius is the nomen of the Roman emperor misnamed Elagabalus or Heliogabalus. These are names of the Syrian sun god Elagabal, whose high priest Varius was while emperor. There is no evidence that he was ever so called when alive. Thus named, his posthumous legendary or mythical avatar thrives, in academic prose and popular imagination, as a Semitic monster of cruelty, depravity, fanaticism, mockery and extravagance. Recently, this monster has metamorphosed into an anarchist saint and martyr of gay liberation. This volume explores the historical individual behind Elagabalus and Heliogabalus. Varius was probably born AD 204 in Rome, to Syro-Roman parents linked to the Severan dynasty, and brou...
Combining a close study of Monteverdi's secular works with recent research on late Renaissance history, Gary Tomlinson places the composer's creative career in its broad cultural context and illuminates the state of Italian music, poetry, and ideology in the sixteenth and seventeenth centuries.
Giuseppe Giontella. Gli statuti dell’arte dei carpentieri, dei muratori e dei petrari di Tuscania (1451) Alessandra Peri. Ne delicta remaneant impunita: il caso di Aspra Sabina (oggi Casperia) nel tardo Medioevo Eugenio Mariani. Galeria e la sua ferriera Maura Piccialuti. A proposito del Cinquecento romano: una mostra e un volume sulla famiglia Cenci Emilio Lucci. La chiesa dei Santi Liberato e Vincenzo a Mugnano Barbara Franchini. Santa Maria delle Fortezze a Viterbo. Breve storia della costruzione Carla Moroni. Nel convento di San Francesco la prima biblioteca pubblica della città di Rieti Annalisa Bottaccin. L’amicizia di Stendhal con i marchesi Potenziani e i principi di Torella. Con documenti inediti Fernando Salsano. Conseguenze sociali degli sventramenti nella Roma fascista: le trasformazioni del tessuto urbano