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The Decipherment of Ancient Maya Writing
The Decipherment of Ancient Maya Writing is an important story of intellectual discovery and a tale of code breaking comparable to the interpreting of Egyptian hieroglyphs and the decoding of cuneiform. This book provides a history of the interpretation of Maya hieroglyphs. Introductory essays offer the historical context and describe the personalities and theories of the many authors who contributed to the understanding of these ancient glyphs.
Archaeology of Performance
Performances in the premodern communities shaped identities, created meanings, generated and maintained political control. But unlike other social scientists, archaeologists have not worked much with these concepts. Archaeology of Performance shows how the notions of theatricality and spectacle are as important economics and politics in understanding how ancient communities work. Without sacrificing conceptual rigor, the contributors draw on the wide-ranging literature on performance. Without sacrificing material evidence, they try to see how performance creates meaning and ideology. Drawing on evidence from societies large and small, Archaeology of Performance offers an important new ways of understanding ancient theaters of power.
The Cosmos of the Yucatec Maya
Traces implications of a previously unrecognized image of the solar year in the Madrid Codex to find new meanings in the Dresden Codex and the Maya calendar system and a regional settlement organization in Yucatan.
Constructing Power and Place in Mesoamerica
Identities of power and place, as expressed in paintings from the periods before and after the Spanish conquest of Mesoamerica, are the subject of this book of case studies from Central Mexico, Oaxaca, and the Maya area. These sophisticated, skillfully rendered images occur with architecture, in manuscripts, on large pieces of cloth, and on ceramics.
Art and Myth of the Ancient Maya
This nuanced account explores Maya mythology through the lens of art, text, and culture. It offers an important reexamination of the mid-16th-century Popol Vuh, long considered an authoritative text, which is better understood as one among many crucial sources for the interpretation of ancient Maya art and myth. Using materials gathered across Mesoamerica, Oswaldo Chinchilla Mazariegos bridges the gap between written texts and artistic representations, identifying key mythical subjects and uncovering their variations in narratives and visual depictions. Central characters—including a secluded young goddess, a malevolent grandmother, a dead father, and the young gods who became the sun and the moon—are identified in pottery, sculpture, mural painting, and hieroglyphic inscriptions. Highlighting such previously overlooked topics as sexuality and generational struggles, this beautifully illustrated book paves the way for a new understanding of Maya myths and their lavish expression in ancient art.
Humanities
Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon became the editor in 2000. The subject categories for Volume 58 are as follows: Electronic Resources for the Humanities Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Philosophy: Latin American Thought Music
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Guilt and Debts
The artist Dierk Schmidt (Unna, 1965) makes use of the aesthetic and the visual to disrupt positivist and liner concepts of history with respect to the omissions and violence in colonial narratives -- one of the core themes running through his work, along with a need for the restitution of plundered objects and the related international law -- the manipulation of museum discourses and the contrived and dramatic state of televised politics. 0The retrospective held by the Museo Reina Sofía assembles some of Schmidt?s most ambitious projects as 'The Division of the Earth' or 'Broken Windows' and concludes with a site-specific project related to the role of the Palacio de Velázquez -- where the show is displayed -- directly after it was built in 1883 and in view of its housing, in 1887, part of the monographic exhibition of the Philippines, Mariana and Caroline Islands, before becoming the 'Biblioteca y Museo de Ultramar' (the Museum-Library of the Overseas).00Exhibition: Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain (09.10.2018-10.03.2019).
Marxist Archaeology Today
This volume gathers papers written by archaeologists utilising the methods of historical materialism, attesting not only to what Marxism has contributed to archaeology, but also to what archaeology has contributed, and can contribute, to Marxism as a method for interpreting the history of humanity. The book’s contributors consider the question of what archaeology can contribute to a historical perspective on the overcoming of present-day capitalism, synthesising developments in world archaeology, and supplying concrete case studies of the archaeology of the Americas, Europe and the Near East. Contributors are: Guillermo Acosta Ochoa, Marcus Bajema, Bernardo Gandulla, Alex Gonzales-Panta, Pablo Jaruf, Vicente Lull, Savas Michael-Matsas, Rafael Micó, Ianir Milevski, Patricia Pérez Martínez, Cristina Rihuete Herrada, Roberto Risch, Steve Roskams, Henry Tantaleán, Marcelo Vitores, and LouAnn Wurst.
