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`This volume, which brings together more than seventy woodcuts and an excellent introduction by the artist, carries with it the same brooding quality of that first print I saw of the Baldoon mystery house. The lines are rich and black, and the images -- abandoned schoolhouses, solitary silos, rough hewn barrels -- are like pastoral poems. In fact, this emphasis on nature and the small size of the woodcuts with the accompanying feeling on compactness and economy, suggests an affinity to the Japanese haiku. Brender à Brandis' ability to capture mood is unparalleled. `In this book he draws us into scenes like that of a windswept kite set against a blustery spring day with the skeletal branches and fence rows, or that of a gigantic setting sun blazing through a field of winter wheat, or the quietude of an upstairs room in a farmhouse. There are also pictures of abandoned broken windmills, fishing tugs, pine washstands, black-eyed susans, windowsills ... all quiet, contemplative and reserved.'
An elegant little alphabet book for adults using original wood engravings of flowers to represent each of the twenty-six letters. Uniform in format with the bestselling Wood, Ink & Paper (Porcupine's Quill, 1980).
Patrick Lima's books and his articles in "Harrowsmith" magazine are considered required reading by garden enthusiasts across Canada. G. Brender ? Brandis is a renowned wood engraver who has taught botanical art at the Royal Botanical Gardens in Hamilton. This book is their collaboration, a celebration of the beauty of flowers through Patrick Lima's fascinating commentaries and G. Brender ? Brandis's elegant engravings. Perfect for both gardeners and those who delight in the delicate craft of the engraver, "Portraits of Flowers" is a unique collection of inspired portraits.
Those who love Edward Gorey's Gashlycrumb Tinies or Hilaire Belloc's Cautionary Tales for Children will adore Jim Westergard's darkly comic portraits. He illustrates each nursery rhyme twice. First, we meet the young and not-so-innocent heroes of the poems. Then we see them in their retirement, in a rogue's gallery of unrepentant outcasts, crones and sociopaths.
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This volume is devoted to the memory of the eminent carcinologist Professor Ruiyu Liu (1922-2012) of the Institute of Oceanology of Chinese Academy of Sciences, Qingdao, China. Since 1949, Professor Liu had devoted his life to studying taxonomy, systematics, ecology, zoogeography and aquaculture and published a total of more than 210 papers and monographs. He described two new genera, fifty-two new species and one new subspecies, including not only crustaceans but also cnidarians, polychaetes and molluscs. In this volume forty of his friends and colleagues put together sixteen papers to honour Professor Liu, and named after him three new genera and eleven new species. First published as a Special Issue of Crustaceana 93(11-12): 1233-1546.
This book provides a wide-ranging overview of Dutch technological leadership in the early modern Europe, it explains whence this leadership came about and why it ended and it explores to what extent the Dutch case illuminates the evolution of technological leadership in general.
The Grand River, winding for nearly 300 kilometres through southwestern Ontario, is a Heritage River, its watershed rich in prehistoric, historical and contemporary features. It is important in the history of First Peoples, and the story of European settlement along its banks is a microcosm of that in Canada as a whole. The watershed contains many treasures, such as part of the Carolinian Forest, some of the best farmland in Canada, the spectacular Elora Gorge and a wealth of historic architecture. Far more than that, the Grand is both uniquely itself and also typical of many of the planet’s rivers in the challenges it faces: issues of water management, farmland versus urban development, e...
In Elegant Anatomy Marieke Hendriksen offers an account of the material culture of the eighteenth-century Leiden anatomical collections, which have not been studied in detail before. The author introduces the novel analytical concept of aesthesis, as these historical medical collections may seem strange, and undeniably have a morbid aesthetic, yet are neither curiosities nor art. As this book deals with issues related to the keeping and displaying of historical human remains, it is highly relevant for material culture and museum studies, cultural history, the history of scientific collections and the history of medicine alike. Unlike existing literature on historical anatomical collections, this book takes the objects in the collections as its starting point, instead of the people that created them.
Collection of international research surveying the reception of James Macpherson's Ossian poems in European literature and culture.