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Ancient Greek Coins
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Agathokles of Syracuse
This book studies Agathokles of Syracuse, who ruled Sicily in the period after Alexander the Great and was an important player in the Mediterranean world at a key moment in its history. It places him in the context of both the earlier history of Sicily, and the developments in the eastern Mediterranean that mark the start of the Hellenistic era.
Ancient Coins of the Graeco-Roman World
Through the ages, coins have been more than a common standard or a means of exchange between peoples for goods and services. The development of coinage gave men freedom to move beyond their communities, served as a propaganda tool for advancing armies and visually showed people the source of politics which governed their lives. Today, these same bits of metal, these ancient video disks, transmit through time information that might otherwise be lost to us. This volume comprises a selection of papers given at a conference held at the Nickle Museum of The University of Calgary, Alberta, by perhaps the most distinguished gathering of numismatists ever to assemble in North America. Topics include specific coins of the Graeco–Roman world as well as discussions on coinage and propaganda, art, architecture, and archaeology. Archaeologists, historians, coin collectors, students of the Classics, in fact, anyone who is interested in art and life as it existed in ancient times will be captivated by this collection.
The Punic Mediterranean
A revisionist exploration of identities and interactions in the 'Punic World' of the western Mediterranean.
Aesthetic Response and Traditional Social Valuation in Euripides’ ›Electra‹
Euripides’ Electra opened up for its audience an opportunity to become self-aware as to the appeal of tragic Kunstsprache: it both reflected and sustained traditional, aristocratically-inflected assumptions about the continuity of appearance and substance, even in a radical democracy. A complex analogy between social and aesthetic valuation is played out and brought to light. The characterization of Orestes early in the play demonstrates how social appearances made clear the identity of well-born, and how they were still assumed to indicate superior virtue and agency. On the aesthetic side of the analogy, one of the functions of tragic diction, as an essential indication of heroic characte...
