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Reflections on Reality
The original digital catalogue of the life-long and continuing retrospective collection of Yvonne and Gabriel Weisberg focuses on Realism in art, primarily from France and Belgium and dating from 1830 to 1930. Works include preliminary sketches as well as finished drawings in charcoal, chalk, watercolor, pastel, and oil, with emphasis on forgotten or little-known artists' portrayal of rural and urban inhabitants in a time of industrial transformation. The catalogue includes descriptive texts of the objects, provenance, Lugt number, references, and exhibition history. The collection will be gifted to the Minneapolis Institute of Art and become part of their permanent holdings. The Weisberg Collection contains other works beyond this catalogue's scope, for example, ceramics and prints, which are and will also become part of the Institute's permanent holdings.
Twenty-first-century Perspectives on Nineteenth-century Art
"This book presents an interdisciplinary and inclusive view of nineteenth-century art, observed from the vantage point of the new twenty-first century. The areas of expertise represented by the thirty essays herein span the full range of nineteenth-century studies, and include discussions of such artistic styles as realism, impressionism, romanticism, and art nouveau, as well as early twentieth-century movements that owe their formative influence to the nineteenth century. Topics span the historical gamut from revivalism to the roots of modernism, considering along the way such themes as the depiction of women, Orientalism, art criticism, evolutionary theory, political propaganda, history pa...
Expanding the Boundaries
Regarded as one of the country's foremost scholars of 19th-century French art, Gabriel P. Weisberg has worked closely with his wife, Yvonne, to amass a significant collection of art. For nearly forty years the Weisbergs have used their knowledge and connoisseurship to unearth exceptional drawings, notably those with realist and naturalist themes. The result is a collection, represented by the 36 artists included here, that illuminates the scope and diversity of French and Belgian draftsmanship from the mid-nineteenth to the early twentieth century. The works range from meticulous charcoal studies to loose watercolor sketches, from layered pastels to sheets that combine multiple mediums in innovative ways. From preliminary studies for mural designs to highly finished landscapes, the drawings gathered here expand our view of this momentous period in the history of art.
Beyond Impressionism
The triumph of the forward-looking Impressionists over the deadwood of the French Academy is a familiar story to art lovers. Now this challenging book adds a new dimension to that period, showing that at the same time the Naturalists were shaping a different view of painting. Weisberg reveals that the Naturalists went beyond Impressionism in both technique and subject matter. 307 illustrations, 86 in full color.
The European Realist Tradition
The exhibition of 250 paintings and drawings by 70 artists recreates a panorama of 19th-century French society--a faithful rendition of daily events, of human lives and environment. Dr. Gabriel P. Weisberg, Curator of Art History and Education at The Cleveland Museum of Art and Curator of the Exhibition, based his study and comparison of the distinctive qualities of Realism on the categories used by 19th-century art critics and the Salon juries: genre, still life, portrait, and landscape. The organization of this encyclopedic exhibition was an awesome task. Much of the material was passed down through the painters' families and subsequently hidden or lost. The work that had been collected by museums and private collectors was among the least studied of all the artistic traditions of 19th-century France. The work of numerous neglected painters is compared to the work of well-known masters as a means of assessing the range and depth of the Realist tradition during this period. Artists represented include Edgar Degas, Jean Francois Millet, and Gustave Courbet together with such rediscovered figures as Victor Gabriel Gilbert, François Bonvin, and Norbert Goeneutte.
Toward a New 19th-century Art
Catalog of the Radichel Collection of late nineteenth century French and Belgian art that focuses specifically on Naturalist and Realist aesthetics of the period. Gabriel P. Weisberg served as an advisor for the collection.
Against the Modern
"The exhibition at the Dahesh Museum that the publication of this book celebrates is the first in a century to feature Dagnan Bouveret's work. Against the Modern pays special attention to the evolution of this artist's style and subject matter and brings to the public gaze the real diversity, accessibility - and surprising modernity - that has made Dagnan-Bouveret worthy of our attention today."--BOOK JACKET.
Japonisme
The subject is the Japanese influence on all areas of western art and culture from 1854 through 1910. Some 700 books, articles, exhibition catalogues and unpublished dissertations are cited along with foreign- language articles (many in Japanese) which have been abstracted. Annotations are detailed. The introductory essay raises fundamental issues. Annotation copyrighted by Book News, Inc., Portland, OR
The Independent Critic
As one of the most vigorous and independent of French nineteenth century art critics, Philippe Burty (1830-1890) often supported areas and issues that other critics overlooked. He was among the first to support the new renaissance in printmaking (essentially in etching) and his articles on the decorative arts, the need for reforms in the exhibition system and his support of younger painters were well known. His primary contribution was in championing Japonisme (the taste for all things Japanese) in France and in coinig the name by which this tendency was identified. He also avidly spoke up for the Impressionists in both French and English articles at a time when few did. Burty was also a creative collector whose tastes in journalistic writing were reflected in what he had in his own home. In all these ways he demonstrated an advanced attitude.
