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"Be aware that frankness is the prime virtue of a dead man," writes the narrator of The Posthumous Memoirs of Brás Cubas. But while he may be dead, he is surely one of the liveliest characters in fiction, a product of one of the most remarkable imaginations in all of literature, Brazil's greatest novelist of the nineteenth century, Joaquim Maria Machado de Assis. By turns flippant and profound, The Posthumous Memoirs of Brás Cubas is the story of an unheroic man with half-hearted political ambitions, a harebrained idea for curing the world of melancholy, and a thousand quixotic theories unleashed from beyond the grave. It is a novel that has influenced generations of Latin American writers but remains refreshingly and unforgettably unlike anything written before or after it. Newly translated by Gregory Rabassa and superbly edited by Enylton de Sá Rego and Gilberto Pinheiro Passos, this Library of Latin America edition brings to English-speaking readers a literary delight of the highest order.
LONGLISTED FOR THE EDINBURGH FESTIVAL FIRST BOOK AWARD The Sun on My Head is a collection of thirteen stories set in Rio's largest favela, gravitating around the lives of young boys and men who, in spite of having to deal with the anguish and difficulties inherent to their age, also struggle with the violence involved in growing up on the less favoured side of the 'Broken City'. They smoke weed, sell weed, and notice the smell of weed lingering on the clothes of passersby in the streets. A boy steals his security-guard father's gun to show it to his friends, another runs into trouble disposing of a body, and another relapses into an old graffiti habit, with tragic consequences . Drugs and poverty colour them, but these stories also depict the pain of growing up with attendant hopes and desires. Geovani Martins has produced a spellbinding debut about masculinity, corruption, guilt, poverty and resilience. Completely of our time and yet profoundly timeless, it's a book that animates and humanises the people of a city whose humanity is often obscured by its own reputation.
This handbook offers an educational approach to Convention No. 182, the cornerstone of international action to combat the worst forms of child labor. It provides examples of best practices and gives an overview of what parliamentarians can do to help eradicate the various forms of abuse to which child workers are exposed. It also proposes model instruments and reference material as aids designed to facilitate the work of legislators.--Publisher's description.
Continued social and economic progress in Brazil will depend on high employment, sustained labor productivity and income growth, and opportunities for the poor and disadvantaged to upgrade their own productivity and convert it into sustainable incomes.
The Carandiru House of Detention, in the teeming city of São Paulo, was the largest and most crowded prison in Latin America. Known as the 'Old House', it was also highly unusual in the way it was governed. Closed to the outside world, and even largely to the wardens, it was run almost entirely by the inmates themselves, who created a unique society complete with politics, hierarchies and a system of justice. In 1989, at the height of the AIDS epidemic in Brazil, with only a handful of physicians attempting to treat an inmate population of over 7,000, the medical situation at Carandiru was dire. A city doctor, Drauzio Varella, volunteered his time at Carandiru over the course of thirteen ye...
The latest novel from a rising star of Brazilian literature, Crow Blue spins a far-reaching story of the search for one's roots.
Work is constantly reshaped by technological progress. New ways of production are adopted, markets expand, and societies evolve. But some changes provoke more attention than others, in part due to the vast uncertainty involved in making predictions about the future. The 2019 World Development Report will study how the nature of work is changing as a result of advances in technology today. Technological progress disrupts existing systems. A new social contract is needed to smooth the transition and guard against rising inequality. Significant investments in human capital throughout a person’s lifecycle are vital to this effort. If workers are to stay competitive against machines they need t...
Blood-Drenched Beard is the gripping, visceral English-language debut from Daniel Galera. His father shoots himself, and all he's left with is the old cattle dog and a vague desire for explanation. He loves swimming so he drifts south to Garopaba, a quiet little town on the Brazilian coast, where his grandfather disappeared in mysterious, possibly brutal, circumstances decades before. There, in the midst of romantic flings and occasional trips, he comes to discover more than he could ever have imagined - not just about his grandfather, but also about himself. Praise for Daniel Galera: 'Outstandingly powerful'- Estado de Sao Paulo 'The writer who has evolved more than any other of his generation'- NoMinimo Daniel Galera was born in Sao Paulo in 1979. He co-founded the influential publishing house Livros do Mal, and has translated David Foster Wallace, Zadie Smith and Irvine Welsh into Brazilian Portuguese. He has published a collection of short stories and three novels, as well as an acclaimed graphic novel (with Rafael Coutinho).
A Boston Globe-Horn Book Honor Book An award-winning, stunningly illustrated, sober depiction of war. A recipient of the prestigious Nami Concours prize, this remarkable book of striking, often surreal illustrations and sparse prose reveals the many sides of war: where it comes from, how it creeps up on us, and how it destroys everything in its wake. This evocative and bold work is an excellent resource for educators in facilitating difficult yet necessary discussions about wars that continue to be fought around the world. As Deborah Ellis, author of the Breadwinner series, says: “If children are tough enough to be bombed and starved, they’re tough enough to read about it.” An Aldana Libros Book, Greystone Kids
A RADIO FRANCE-CULTURE/TÉLÉRAMA BEST WORK OF FICTION BY THE WINNER OF THE 2013 CAMÕES PRIZE AND THE WINNER OF THE 2014 NEUSTADT PRIZE “Quite unlike anything else I have read from Africa.""—Doris Lessing “By meshing the richness of African beliefs . . . into the Western framework of the novel, he creates a mysterious and surreal epic.”—Henning Mankell Mwanito was eleven when he saw a woman for the first time, and the sight so surprised him he burst into tears. Mwanito has been living in a former big-game park for eight years. The only people he knows are his father, his brother, an uncle, and a servant. He’s been told that the rest of the world is dead, that all roads are sad, ...