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Hitchhiking
First published in East Germany in 1982 and in West Germany four years later, this collection of short prose firmly established Gabriele Eckart in German literary circles (her poetry had earlier won the critics' praise). Eckart's stories offer a panorama of East German life: sharply drawn vignettes in which "the familiar, the all-too-familiar, takes place alongside the surprising and the bizarre. . . . Authentic sketches with delicate strokes, concise, to the point."—(Aschaffenburg) Main-Echo. Although East Germany disappeared from the map in 1990, the experiences of the people who endured, evaded, challenged, and thwarted the socialist regime will long affect a reunified Germany. These stories are powerful and moving reminders of what conditions were like not so long ago.
Gabriele Eckart
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Shifting Viewpoints
This study shows that Cervantes’s works actively influenced the literature of a number of twentieth- and early twenty-first-century writers in Germany, Austria, and Switzerland. This time period was marked by numerous significant events, including World War I, the first attempts at democracy, the rise of the Nazis, World War II, the division of Germany, and the eventual reunification of Germany. Representations of characters created by Cervantes reflect the shifting viewpoints of monarchism, imperialism, communism, fascism, socialism, and capitalism. A number of German-speaking authors of this time creatively modify Don Quixote, vacillating between regarding Don Quixote as a fool or a hero. The emphasis here is on the question of how an author uses Cervantes’s Don Quixote and The Conversation of the Dogs to come to terms with his or her own preoccupations in a given socio-political context. This book explores literary works by German-speaking authors that engage in an intertextual play with a text written by Cervantes.
Daughters of Eve
This volume is the first anthology of contemporary East German women's writing in English translation. It will introduce scholars and general readers to writers whose voices are essential to an understanding of the situation of women in today's changing Europe. Included are short stories, essays, autobiographical sketches, and excerpts from novels, written between 1974 and 1986 by women of the postwar generation. Their work reflects everyday life in the GDR before the fall of the Berlin Wall with vitality, sympathy, humor, and warmth. This literature has been of great significance within the GDR as a public forum for social-critical discussion, and in the West for its depiction—as the volu...
Wie mag ich alles was beginnt
Gabriele Eckarts Gedichte, die zwischen 1980 und 86 entstanden sind, sprechen eine unprätentiöse, stille Sprache und orientieren sich, ungewöhnlich für ihre Generation, stark an klassischen Vorbildern, ohne museal zu wirken: Der Hexameter ist ihr ebensowenig fremd wie das Sonett oder die Elegie. Auch die Themen ihrer Gedichte sind unspektakulär. Naturgedichte, die Liebe, der Wechsel der Jahreszeiten und immer wieder die Sehnsucht nach einem größeren, bewegteren Leben. Dabei fällt auf, daß sich in den späteren Gedichten eine wachsende Ungeduld artikuliert, ihr Ton wird härter und entschiedener.
Speaking the Taboo
Wolfgang Hilbig is a writer who is widely acknowledged as one of the most important to have emerged from the former GDR. In this study, the first in English, Paul Cooke explores the interplay of aesthetic and social ‘taboos’, as defined by the official discourse of the GDR, in a cross-section of Hilbig’s critical writing, poetry and prose. The protagonists in Hilbig’s texts suffer from a profound crisis of identity due to the disparity between the state’s official presentation of life in the East and their own experience. Cooke argues that through their exploration of the ‘taboo’, i.e. that which is excluded from the state’s official discourse, Hilbig’s characters attempt to break through the banal rhetoric of the ruling elite in order to realise an authentic sense of self.
Wendewelten
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Love in the Time of Communism
This pioneering study explores the surprising extent and limits of the GDR's forgotten sexual revolution.
Late Europeans and Melancholy Fiction at the Turn of the Millennium
This book is the first comparative study of novels by Patrick Modiano, W. G. Sebald, and Antonio Muñoz Molina. Drawing on many literary figures, movements, and traditions, from the Spanish Golden Age, to German Romanticism, to French philosophy, via Jewish modernist literature, Ian Ellison offers a fresh perspective on European fiction published around the turn of the millennium. Reflecting on what makes European fiction European, this book examines how certain novels understand themselves to be culturally and historically late, expressing a melancholy awareness of how the past and present are irreconcilable. Within this framework, however, it considers how backwards-facing, tradition-oriented self-consciousness, burdened by a sense of exhaustion in European culture and the violence of its past, may yet suggest the potential for re-enchantment in the face of obsolescence.
