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Wandering Soul
Using Russian, Yiddish, Hebrew, and French sources, Safran recreates the neglected protean personality Shloyme-Zanvl Rappoport, who would become S. An-sky--ethnographer, war correspondent, and author of the best-known Yiddish play, "The Dybbuk."
Rewriting the Jew
In the Russian Empire of the 1870s and 1880s, while intellectuals and politicians furiously debated the "Jewish Question," more and more acculturating Jews, who dressed, spoke, and behaved like non-Jews, appeared in real life and in literature. This book examines stories about Jewish assimilation by four authors: Grigory Bogrov, a Russian Jew; Eliza Orzeszkowa, a Polish Catholic; and Nikolai Leskov and Anton Chekhov, both Eastern Orthodox Russians. Safran introduces the English-language reader to works that were much discussed in their own time, and she situates Jewish and non-Jewish writers together in the context they shared. For nineteenth-century writers and readers, successful fictional...
The Worlds of S. An-sky
The author of "The Dybbuk," Shloyme-Zanvl Rappoport, known as An-sky (1863-1920), was a figure of immense versatility and also ambiguity in Russian and Jewish intellectual, literary, and political spheres. Drawing together leading historians, ethnographers, literary scholars, and others, this far-ranging, multi-disciplinary examination of An-sky is the fullest ever produced.
Recording Russia
"Nineteenth-century Russian writers including Dahl, Turgenev, and Dostoevsky, and travelers including Custine and Haxthausen, describe scenes where they and their characters listen to, record, and borrow other people's words. Drawing on linguistic anthropology and media studies, this book explores how these scenes index identities, reference communication technology, and change over time" --
Sacred Stories
Sacred Stories brings together the work of leading scholars writing on the history of religion and religiosity in late imperial Russia during the critical decades preceding the 1917 revolutions. Embodying new research and new methodologies, this book reshapes our understanding of the place of religion in modern Russian history. Topics examined include miraculous icons and healing, pilgrim narratives, confessions, women and Orthodox domesticity, marriage and divorce, conversion and tolerance, Jewish folk beliefs, mysticism in Russian art, and philosophical aspects of Orthodox religious thought. Sacred Stories demonstrates that belief, spirituality, and the sacred were powerful and complex cultural expressions central to Russian political, social, economic, and cultural life. Contributors are Nicholas B. Breyfogle, Heather J. Coleman, Gregory L. Freeze, Nadieszda Kizenko, Alexei A. Kurbanovsky, Roy R. Robson, Bernice Glatzer Rosenthal, Gabriella Safran, Vera Shevzov, Sarah Abrevaya Stein, Mark Steinberg, Paul Valliere, William G. Wagner, Paul W. Werth, and Christine D. Worobec.
Culture Front
Bringing together contributions by historians and literary scholars, Culture Front explores how Jews and their Slavic neighbors produced and consumed imaginative representations of Jewish life in chronicles, plays, novels, poetry, memoirs, museums, and elsewhere.
Jewish Primitivism
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L...
Going to the People
“A remarkable achievement, demonstrating the vitality of Jewish folklore and ethnographic studies a hundred years after An-sky’s pioneering expedition.” —Folklore Taking S. An-sky’s expeditions to the Pale of Jewish Settlement as its point of departure, the volume explores the dynamic and many-sided nature of ethnographic knowledge and the long and complex history of the production and consumption of Jewish folk traditions. These essays by historians, anthropologists, musicologists, and folklorists showcase some of the finest research in the field. They reveal how the collection, analysis, and preservation of ethnography intersect with questions about the construction and delineati...
Possessed Voices
Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies. Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, a valuable tool for understanding historical theater, which preserve performances of modernist interwar Hebrew plays. Seldom used in scholarship, Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practice...
From Continuity to Contiguity
Dan Miron—widely recognized as one of the world's leading experts on modern Jewish literatures—begins this study by surveying and critiquing previous attempts to define a common denominator unifying the various modern Jewish literatures. He argues that these prior efforts have all been trapped by the need to see these literatures as a continuum. Miron seeks to break through this impasse by acknowledging discontinuity as the staple characteristic of modern Jewish writing. These literatures instead form a complex of independent, yet touching, components related through contiguity. From Continuity to Contiguity offers original insights into modern Hebrew, Yiddish, and other Jewish literatures, including a new interpretation of Franz Kafka's place within them and discussions of Sholem Aleichem, Sh. Y. Abramovitsh, Akhad ha'am, M. Y. Berditshevsky, Kh. N. Bialik, and Y. L. Peretz.
